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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;i want&lt;/p&gt;
&lt;p&gt;i want&lt;/p&gt;
&lt;p&gt;i want&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;                                         (what do i want?)&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i want to open my mouth until my jaw&lt;/p&gt;
&lt;p&gt;c      r      a           c           k                s&lt;/p&gt;
&lt;p&gt;and swallow the world&lt;/p&gt;
&lt;p&gt;and all that lies within it&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;(the butterflies and butter knives and rivers and&lt;/p&gt;
&lt;p&gt;mountains and moss and rotted logs and new&lt;/p&gt;
&lt;p&gt;green shoots and planks of wood and deep sea&lt;/p&gt;
&lt;p&gt; creatures and the smallest little mice )&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;or maybe just you&lt;/p&gt;
&lt;p&gt;or maybe just both of us&lt;/p&gt;
&lt;p&gt;or maybe only&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;                               me&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;in all my poems i say,&lt;/p&gt;
&lt;p&gt;does this make sense?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;                                            (i want to know if&lt;/p&gt;
&lt;p&gt;                                         the spell is working)&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i want it to all be so&lt;/p&gt;
&lt;p&gt;                                    different&lt;/p&gt;
&lt;p&gt;than it is&lt;/p&gt;
&lt;p&gt;i want to live a whole new life&lt;/p&gt;
&lt;p&gt;i want to move to another city&lt;/p&gt;
&lt;p&gt;i want to feel my bones melt&lt;/p&gt;
&lt;p&gt;and stretch my skin easily&lt;/p&gt;
&lt;p&gt;into all that could be&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i want to become&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i want to get further away from you&lt;/p&gt;
&lt;p&gt;so that i can get closer to you&lt;/p&gt;
&lt;p&gt;how can i rearrange all of the world&lt;/p&gt;
&lt;p&gt;to suit my wants?&lt;/p&gt;
&lt;p&gt;                (and even if i took it inside of me,&lt;/p&gt;
&lt;p&gt;              even when i take you inside of me,&lt;/p&gt;
&lt;p&gt;                                 it is still the unknown&lt;/p&gt;
&lt;p&gt;                    just lodged within my confines)&lt;/p&gt;
&lt;p&gt;and what other choice do i have?&lt;/p&gt;
&lt;p&gt;because what other way is there&lt;/p&gt;
&lt;p&gt;to make a life?&lt;/p&gt;
&lt;p&gt;to build day&lt;/p&gt;
&lt;p&gt;           upon day&lt;/p&gt;
&lt;p&gt;                     upon day&lt;/p&gt;
&lt;p&gt;                               upon day?&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/579" target="_blank" rel="noreferrer noopener"&gt;jesy m rice&lt;/a&gt;&lt;/p&gt;</text>
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                <text>i want to know if the spell is working</text>
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                <text>jesy m rice</text>
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        <name>Author Tag: low-income</name>
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        <name>Author Tag: neurodivergent</name>
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        <name>Author Tag: polyamorous</name>
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        <name>Author Tag: white</name>
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                  <text>&lt;p&gt;This is a collection of all authors who have contributed to the Anthology. To browse authors by identities, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>K Van Petten (they/them) is a poet and musician exploring their in-betweens while floating between Bainbridge Island and Seattle. Their work explores otherness, multiplicity, and possibility, often blurring the boundaries of video, performance, audio poetry, and ambient music in exploration of queer identity and the intersections of sound and word. K's most recent project For Someone blends poetry and ambient music into a cassette release, created in residence at Centrum and distributed by Hello America Stereo Cassette. You can find them at &lt;a href="https://kvanpetten.com/" target="_blank" rel="noreferrer noopener"&gt;kvanpetten.com&lt;/a&gt;.</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/695"&gt;For Jumping&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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        <name>Author Tag: Rural community member</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;grainy eyed heroes / this one is for you / the past / like a telescope / soaked our frontal lobes&lt;/p&gt;
&lt;p&gt;their superpowers starving / for purpose / against all odds / the adult world caught us / flailing&lt;/p&gt;
&lt;p&gt;branches / too tired to chest-puff / but we did / until the same toy gun / that got us here / splashed&lt;/p&gt;
&lt;p&gt;nonsense &amp;amp; dried color-blind our bruises / sweating I tell us not to worry / it is worry / that keeps&lt;/p&gt;
&lt;p&gt;us here / it is worry that knows we can / but asks in the dark / before / what it is &amp;amp; what it means&lt;/p&gt;
&lt;p&gt;find an in-between / but it doesn’t / make sense yet / are the sheep making sense / is their fence&lt;/p&gt;
&lt;p&gt;making sense of them / it’s harmless to wonder / wasteful too / there was a time before / these&lt;/p&gt;
&lt;p&gt;centers of gravity / &amp;amp; a time after too / it’s all the same ride / pencil me in for the midnight&lt;/p&gt;
&lt;p&gt;cycle / the pouring of moon joy going in / &amp;amp; out / pouring / you wonder / I find it more&lt;/p&gt;
&lt;p&gt;a trickle compared / to what / compared to suffering / honey / rain / batter / dust / the stars in all&lt;/p&gt;
&lt;p&gt;their nonsense stopped / mid main course / to check on YOU / running laps around yourself&lt;/p&gt;
&lt;p&gt;like a football field / in a huff / about some naked / problem / when you have two / choices&lt;/p&gt;
&lt;p&gt;wait there on the side of no fall / or jump the railing / &amp;amp; if you do / so choose / I’ll meet you&lt;/p&gt;
&lt;p&gt;with a blanket / we’ll have a picnic / go forehead / deep in saltwater / kill the germs / ingest&lt;/p&gt;
&lt;p&gt;the seaweed / make washington / state our ever after / it does rain here / a lot / it’s pouring now&lt;/p&gt;
&lt;p&gt;actually / pouring / you say / I’ve seen pouring / have you now / let’s drink to that / let’s find&lt;/p&gt;
&lt;p&gt;the funky orange stuff / that makes new / ooze from our trunks / that place / that hated you&lt;/p&gt;
&lt;p&gt;is distant / maybe / even nonexistent / but it doesn’t matter / either way / I think we can both&lt;/p&gt;
&lt;p&gt;agree / this is WAY better / &amp;amp; this is just the first transformation / juicy blood orange maps&lt;/p&gt;
&lt;p&gt;of langue / pronouns shifting into ungrammatical faces / finish lines shaped like circles&lt;/p&gt;
&lt;p&gt;just like we were / we were / less than babies / when we realized / there was something / else&lt;/p&gt;
&lt;p&gt;metamorphoses / posture / singing / dancing even / cave drawings and lichen and huckleberries&lt;/p&gt;
&lt;p&gt;and staircases and razor clams and subarus and mood moss and evergreens and microgreens&lt;/p&gt;
&lt;p&gt;and in-betweens and binders and tattoos / and no / pluto is not a planet but that never mattered /&lt;/p&gt;
&lt;p&gt;my mouth sinks into yours / like it’s the first real thing / that’s ever happened / and maybe it is&lt;/p&gt;
&lt;p&gt;/ for us / so / I’m asking you / do you want to jump the railing?&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/696" target="_blank" rel="noreferrer noopener"&gt;K Van Petten&lt;/a&gt;&lt;/p&gt;</text>
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                <text>For Jumping</text>
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                <text>K Van Petten</text>
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        <name>Author Tag: activist</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;God’s blessing***whispers from activists past***forget-me-not&lt;/p&gt;
&lt;p&gt;Memories gift***a white man shoves someone like me in the street***a treasure&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The flower of my lover's birth land***waiting to be stomped out***blood and ink stain my skin&lt;/p&gt;
&lt;p&gt;Fondly known as scorpion grassess***the royal blue of a man fucking another man***thriving&lt;/p&gt;
&lt;p&gt;in the bitterest of colds&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Trivial little thing clinging to friends on the vine***the neon lights of every club shot up***a&lt;/p&gt;
&lt;p&gt;petal for each stage of grief&lt;/p&gt;
&lt;p&gt;“Remember” you are not alone***I stand upon the blood and bone of those before me***I have&lt;/p&gt;
&lt;p&gt;your back&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;An herb disguised as a flower***I do not wish to be Adam and Eve***an apology from god.&lt;/p&gt;
&lt;p&gt;The brilliant gold of youth***the man in my bed is not your concern***masked under a blue so&lt;/p&gt;
&lt;p&gt;deep I swam in it&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;A kiss upon the lips of legacy***of course I went to church on Sunday-ten years ago***grown&lt;/p&gt;
&lt;p&gt;in the tracks of American history&lt;/p&gt;
&lt;p&gt;Eternal love***bullshit***remind me of my place&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/427" target="_blank" rel="noreferrer noopener"&gt;SJ Larsen (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>erotic (explicit)</text>
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              <text>violent imagery</text>
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              <text>violence</text>
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              <text>lack of acceptance</text>
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                <text>Ode to the Forget-Me-Not</text>
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                <text>SJ Larsen (they/them)</text>
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        <name>Author Tag: atheist</name>
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        <name>Author Tag: demisexual</name>
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              <text>&lt;p&gt;The loose softness&lt;/p&gt;
&lt;p&gt;of quiet, wingless shredded paper:&lt;/p&gt;
&lt;p&gt;Its ungraceful trail through the sky,&lt;/p&gt;
&lt;p&gt;around the ghosts of rusting leaves&lt;/p&gt;
&lt;p&gt;and the dark shapes that once were pines —&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The wet crunch,&lt;/p&gt;
&lt;p&gt;followed by a snap, as my thickly padded boot passes&lt;/p&gt;
&lt;p&gt;roughly through heavy clouds and frail wood —&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;With sudden violence, each gentle whorl turning&lt;/p&gt;
&lt;p&gt;to whirlpool; each speck of inverted ink to thrashing curtain,&lt;/p&gt;
&lt;p&gt;light leaping off the brightly mirrored earth, rising up,&lt;/p&gt;
&lt;p&gt;then, with a sigh, remembering to fall —&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Powdered sugar resting softly upon the greatest cake, shaken off&lt;/p&gt;
&lt;p&gt;by birds and shivering hounds; everything painted&lt;/p&gt;
&lt;p&gt;with a thin coat of swan’s feathers; everything&lt;/p&gt;
&lt;p&gt;resting under great buckets of white sky&lt;/p&gt;
&lt;p&gt;that soon cannot contain their weight&lt;/p&gt;
&lt;p&gt;and let go the wind, releasing fragments of shredded paper to land on my nose&lt;/p&gt;
&lt;p&gt;and lips —&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The taste is the sharp chill of finding freedom&lt;/p&gt;
&lt;p&gt;in isolation, quickly dispersing in the warm cavern&lt;/p&gt;
&lt;p&gt;of my mouth; the damp billow of a silver-lined&lt;/p&gt;
&lt;p&gt;cloud.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/642" target="_blank" rel="noreferrer noopener"&gt;Viv T (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;Viv T is an ardent student of dance, art, nature, fiction, and of course poetry. Several of Viv’s other poems have appeared in the "Unexplained" edition of Hugo House’s Misty Mint Mountain magazine. Their art and writing have won a Silver Key and several Honorable Mentions from the Scholastic Art and Writing Awards. Viv attends high school in Seattle and is in 11th grade.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/643" target="_blank" rel="noreferrer noopener"&gt;Shredded Paper&lt;/a&gt;&lt;/li&gt;
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              <text>&lt;p&gt;&lt;em&gt;I love her,&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;I love her not&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I tear off each petal with trembling fingers&lt;/p&gt;
&lt;p&gt;Dropping them to the soft&lt;/p&gt;
&lt;p&gt;Ground on which I sit&lt;/p&gt;
&lt;p&gt;Even the question is dangerous&lt;/p&gt;
&lt;p&gt;This child’s game a target on my back&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;I love her,&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;I love her not&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Should these words slip past my whispering lips&lt;/p&gt;
&lt;p&gt;Exposing my thoughts to a&lt;/p&gt;
&lt;p&gt;World ready to defile my honest heart&lt;/p&gt;
&lt;p&gt;The blossom in my hand would wither&lt;/p&gt;
&lt;p&gt;Seeds to ash and&lt;/p&gt;
&lt;p&gt;Love to dust&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;I love her,&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;I love her not&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Leaving my heart behind in a pile of petals&lt;/p&gt;
&lt;p&gt;Buried under abandoned hope and&lt;/p&gt;
&lt;p&gt;Illusions of blooming desire&lt;/p&gt;
&lt;p&gt;I bid farewell to my brief freedom&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;I love her not,&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;I love her not&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/592" target="_blank" rel="noreferrer noopener"&gt;Elliot C (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/593" target="_blank" rel="noreferrer noopener"&gt;I Love Her Not&lt;/a&gt;&lt;/li&gt;
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;She left and the past was fully behind her&lt;/p&gt;
&lt;p&gt;familiarity gone&lt;/p&gt;
&lt;p&gt;family gone&lt;/p&gt;
&lt;p&gt;Supporting herself and two others as they grew&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Memories of the past crept up&lt;/p&gt;
&lt;p&gt;letters of the future haunted&lt;/p&gt;
&lt;p&gt;visits from the present triggering&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Young minds grew&lt;/p&gt;
&lt;p&gt;thirsty for stories&lt;/p&gt;
&lt;p&gt;of the statues that towered over and supported their life&lt;/p&gt;
&lt;p&gt;only hers grew silent&lt;/p&gt;
&lt;p&gt;only key things shared. memories of the past folding into the&lt;/p&gt;
&lt;p&gt;background as the louder voices brought theirs forward&lt;/p&gt;
&lt;p&gt;soon only fragments remain&lt;/p&gt;
&lt;p&gt;and the shards shrouded in pain&lt;/p&gt;
&lt;p&gt;pain creating a permanent wedge&lt;/p&gt;
&lt;p&gt;distance from herself&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Young minds know little&lt;/p&gt;
&lt;p&gt;they grew tired of already retold stories, only 3 parts per million&lt;/p&gt;
&lt;p&gt;true&lt;/p&gt;
&lt;p&gt;She stands facing the corner, wondering if her stories are true&lt;/p&gt;
&lt;p&gt;covered in dust they remain&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Young minds aged searching for a connection&lt;/p&gt;
&lt;p&gt;red lines ache when holding their calloused hands&lt;/p&gt;
&lt;p&gt;lost in the see of forgotten souls and dying friends&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;her story remains silent as the winds fly to the horizon&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/583" target="_blank" rel="noreferrer noopener"&gt;Kai River (they/him)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;and when&lt;/p&gt;
&lt;p&gt;did i last write a poem&lt;/p&gt;
&lt;p&gt;for the curiosity&lt;/p&gt;
&lt;p&gt;of shaping words&lt;/p&gt;
&lt;p&gt;towards a given end?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;it is always a flailing&lt;/p&gt;
&lt;p&gt;attempt to pull&lt;/p&gt;
&lt;p&gt;myself from the hole&lt;/p&gt;
&lt;p&gt;i have fallen into the hole&lt;/p&gt;
&lt;p&gt;of the moment of despair.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;and if life is just&lt;/p&gt;
&lt;p&gt;what we see it as&lt;/p&gt;
&lt;p&gt;which can only be true:&lt;/p&gt;
&lt;p&gt;when did i chose fear&lt;/p&gt;
&lt;p&gt;over wonder?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i have met bewilderment&lt;/p&gt;
&lt;p&gt;as the unweaving&lt;/p&gt;
&lt;p&gt;of that decision:&lt;/p&gt;
&lt;p&gt;to stand in awe&lt;/p&gt;
&lt;p&gt;and gaze at transience.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;i dream of being&lt;/p&gt;
&lt;p&gt;pursued but am not afraid&lt;/p&gt;
&lt;p&gt;of capture, i feel light,&lt;/p&gt;
&lt;p&gt;i linger on the street&lt;/p&gt;
&lt;p&gt;corner with beauty.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;the strawberries are ripening&lt;/p&gt;
&lt;p&gt;in their rows.&lt;/p&gt;
&lt;p&gt;and i too,&lt;/p&gt;
&lt;p&gt;am turning red&lt;/p&gt;
&lt;p&gt;and round with summer.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/579" target="_blank" rel="noreferrer noopener"&gt;jesy m rice&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/700"&gt;i want to know if the spelling is working&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/580" target="_blank" rel="noreferrer noopener"&gt;ripening from seed&lt;/a&gt;&lt;/li&gt;
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              <text>&lt;p&gt;I miss swimming&lt;/p&gt;
&lt;p&gt;I miss floating between sky&lt;/p&gt;
&lt;p&gt;Below sky&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I miss a still mind&lt;/p&gt;
&lt;p&gt;I miss the warm water seeping into muscle and bone&lt;/p&gt;
&lt;p&gt;I miss the ease, the closeness of sleep&lt;/p&gt;
&lt;p&gt;I miss living inside a perfect moment&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Untouched&lt;/p&gt;
&lt;p&gt;By time and world&lt;/p&gt;
&lt;p&gt;Unworried&lt;/p&gt;
&lt;p&gt;Content&lt;/p&gt;
&lt;p&gt;Unbroken&lt;/p&gt;
&lt;p&gt;My true self&lt;/p&gt;
&lt;p&gt;Truly living&lt;/p&gt;
&lt;p&gt;Seen&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Now the water becomes a trial&lt;/p&gt;
&lt;p&gt;Tests me&lt;/p&gt;
&lt;p&gt;I expose&lt;/p&gt;
&lt;p&gt;A falsehood&lt;/p&gt;
&lt;p&gt;A twisted disguise&lt;/p&gt;
&lt;p&gt;The mask beneath my clothes&lt;/p&gt;
&lt;p&gt;Watch them watch me&lt;/p&gt;
&lt;p&gt;Shrink as I am seen unseen&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/543" target="_blank" rel="noreferrer noopener"&gt;Anika McMillian (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Author Tag: Asexual</name>
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              <text>&lt;p&gt;The Bird Rescue Center seems all bright glory&lt;/p&gt;
&lt;p&gt;But it is nothing like you have been told&lt;/p&gt;
&lt;p&gt;I warn you, it can be quite gross and gorey&lt;/p&gt;
&lt;p&gt;And in winter all but the birds are cold&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Dishes are how I spend much of my time,&lt;/p&gt;
&lt;p&gt;At the sight of cold bloody mice I sigh,&lt;/p&gt;
&lt;p&gt;And I struggle to purge walls of their grime&lt;/p&gt;
&lt;p&gt;I sometimes wish for home, I won’t lie&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Ever constant are the babies’ loud hungers,&lt;/p&gt;
&lt;p&gt;Desperate I run when a bird breaks free,&lt;/p&gt;
&lt;p&gt;And I’ve held one or two stubborn biters&lt;/p&gt;
&lt;p&gt;At end of shift I’m as tired as can be&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;But each time as I watch birds again take wing&lt;/p&gt;
&lt;p&gt;I know my work is the most perfect thing&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/543" target="_blank" rel="noreferrer noopener"&gt;Anika McMillian (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all authors who have contributed to the Anthology. To browse authors by identities, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Anika McMillian is a university student and aspiring poet and short fiction writer. Growing up immersed in diverse worlds from their parent's love of both books and travel, Anika has discovered a steadily growing passion for the way language can communicate more than the sum of its parts. It's this desire to funnel complex human experience through language that fuels Anika's writing in classes, clubs, and individual practice. From highly personal feelings of purpose while volunteering at The Bird Rescue Center in "Rescue", to broader struggles with body and gender dysphoria in "Swimming", Anika hopes to use their work to begin reaching out to share connection, community, and diversity of perspective.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/544" target="_blank" rel="noreferrer noopener"&gt;Rescue&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/545" target="_blank" rel="noreferrer noopener"&gt;Swimming&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;you open the front door&lt;/p&gt;
&lt;p&gt;invite us in&lt;/p&gt;
&lt;p&gt;under the presumption we'll feed &amp;amp;&lt;/p&gt;
&lt;p&gt;pet the kitties,&lt;/p&gt;
&lt;p&gt;take care of the place.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;a boyish girl and a girly boy&lt;/p&gt;
&lt;p&gt;you presume, nobody leaves the&lt;/p&gt;
&lt;p&gt;keys to the mansion, the rolls royce,&lt;/p&gt;
&lt;p&gt;the wine cellar to a couple trans folks,&lt;/p&gt;
&lt;p&gt;after all.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;as soon as you're out the door&lt;/p&gt;
&lt;p&gt;we're already&lt;/p&gt;
&lt;p&gt;jumping on the bed&lt;/p&gt;
&lt;p&gt;eating your ice cream,&lt;/p&gt;
&lt;p&gt;sheer shrieking joy.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;(we leave the bed exactly&lt;/p&gt;
&lt;p&gt;how we found it).&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;if you find yourself underwater&lt;/p&gt;
&lt;p&gt;in the pitch black, and&lt;/p&gt;
&lt;p&gt;out of breath,&lt;/p&gt;
&lt;p&gt;follow the&lt;/p&gt;
&lt;p&gt;bubbles from your screams&lt;/p&gt;
&lt;p&gt;to the surface.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;of course we feed &amp;amp; pet the cats&lt;/p&gt;
&lt;p&gt;cuddle them amid piles of champagne&lt;/p&gt;
&lt;p&gt;glasses dom perignon&lt;/p&gt;
&lt;p&gt;they see this life for what it&lt;/p&gt;
&lt;p&gt;is, a shiny cage.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;                      if you find yourself&lt;/p&gt;
&lt;p&gt;             underwater in the pitch black&lt;/p&gt;
&lt;p&gt;calmly make your way to the&lt;/p&gt;
&lt;p&gt;nearest exit&lt;/p&gt;
&lt;p&gt;and take a deep breath.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;orange flecks glimmer&lt;/p&gt;
&lt;p&gt;crystal chandelier up all night&lt;/p&gt;
&lt;p&gt;talking about queer utopia&lt;/p&gt;
&lt;p&gt;listening to the radio in your car/&lt;/p&gt;
&lt;p&gt;                      feet up on the dash&lt;/p&gt;
&lt;p&gt;the stars aren't brighter here inside&lt;/p&gt;
&lt;p&gt;this crystal cage, just more fluorescent glow.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;leave us the keys to the crystal cage &amp;amp; the kitties&lt;/p&gt;
&lt;p&gt;please&lt;/p&gt;
&lt;p&gt;leave us one night in the champagne palace&lt;/p&gt;
&lt;p&gt;please&lt;/p&gt;
&lt;p&gt;leave us.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/520" target="_blank" rel="noreferrer noopener"&gt;Olivia Violet&lt;/a&gt;&lt;/p&gt;</text>
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                <text>house sitting/as date night</text>
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              <text>&lt;p&gt;Olivia Violet is a poet, community supporter, artist, change maker, and sometimes creative writing teacher. They live in the south puget sound region with their cat Miss Monkey and their rosy boa Mr. Amy Squiggle. They were awarded "Cutest Butt Wiggle" while on the cast of Punk Shrek (Gay) the Play in 2022. They enjoy writing narrative, experimental, and free form poetry, as well as flash fiction. They have a deep passion for authentically representing trans themes in their writing.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/521" target="_blank" rel="noreferrer noopener"&gt;house sitting/as date night&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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              <text>&lt;p align="right"&gt;&lt;em&gt;Life is funny it’s never close&lt;/em&gt;&lt;/p&gt;
&lt;p align="right"&gt;&lt;em&gt;to what you think it’s going to be&lt;/em&gt;&lt;/p&gt;
&lt;p align="right"&gt;—C, from the bookshop&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I’ve got bad habits to kick,&lt;/p&gt;
&lt;p&gt;like laughing,&lt;/p&gt;
&lt;p&gt;and it’s another sad week to live&lt;/p&gt;
&lt;p&gt;in the U fucking S where they’re fucking us over&lt;/p&gt;
&lt;p&gt;again and my seventy-year-old coworker&lt;/p&gt;
&lt;p&gt;is right, life is funny.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I chuckled when she lectured me out of the blue&lt;/p&gt;
&lt;p&gt;about my reproductive rights. Sure thing, I said, ablaze&lt;/p&gt;
&lt;p&gt;in an East Coast city. We were standing&lt;/p&gt;
&lt;p&gt;near the history shelf where one in five book&lt;/p&gt;
&lt;p&gt;spines were bright red.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Now I wear black&lt;/p&gt;
&lt;p&gt;on the Fourth of July like Dad always did&lt;/p&gt;
&lt;p&gt;to remind himself he wasn’t born in this country.&lt;/p&gt;
&lt;p&gt;I spend the day thinking about gender trouble&lt;/p&gt;
&lt;p&gt;and orcas and my fellow losers on bikes. Yikes, but I&lt;/p&gt;
&lt;p&gt;likes it that way,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;like it hot and like it hungry and&lt;/p&gt;
&lt;p&gt;like it grammatically questionable. I like&lt;/p&gt;
&lt;p&gt;saying stuff out loud just to hear the way it sounds&lt;/p&gt;
&lt;p&gt;like a firework if I am loud enough.&lt;/p&gt;
&lt;p&gt;I like it&lt;/p&gt;
&lt;p&gt;             simple braless ambiguous&lt;/p&gt;
&lt;p&gt;and it’s still strange that people like me okay.&lt;/p&gt;
&lt;p&gt;Like me better than when I acted straighter,&lt;/p&gt;
&lt;p&gt;more like an&lt;/p&gt;
&lt;p&gt;American because maybe&lt;/p&gt;
&lt;p&gt;we’re sick of&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;red and sick of&lt;/p&gt;
&lt;p&gt;white and scared of this kind of&lt;/p&gt;
&lt;p&gt;loud&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/479"&gt;Dylan Cooper (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;When it comes&lt;/p&gt;
&lt;p&gt;to protecting myself, nowadays,&lt;/p&gt;
&lt;p&gt;I am shit at it.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;On a longboard yesterday, freewheeling&lt;/p&gt;
&lt;p&gt;down in my distraction, I sent myself flying.&lt;/p&gt;
&lt;p&gt;It almost felt good to land:&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;to recall my childhood fluency in scrapes and shiners,&lt;/p&gt;
&lt;p&gt;for many years nearly forgotten, once I grew up&lt;/p&gt;
&lt;p&gt;and became practiced at shielding the body.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I found a line of bruises on my hip, elbow, and wrist:&lt;/p&gt;
&lt;p&gt;skin grazed on pavement, old sting&lt;/p&gt;
&lt;p&gt;of gravity and autumn.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/479" target="_blank" rel="noreferrer noopener"&gt;Dylan Cooper (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all authors who have contributed to the Anthology. To browse authors by identities, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Dylan Cooper is a writer from Providence, Rhode Island currently living in Spokane, where they received an MFA from Eastern Washington University. They are currently finishing their first draft of a novel about language, communication, family, and queer self-articulation. A few of their favorite things are bikes, birds, and the stone walls standing all over the reforested land in Massachusetts. They hope to one day return to that area and spend more time looking at those stone walls.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/480" target="_blank" rel="noreferrer noopener"&gt;Acton, October 2020&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/481" target="_blank" rel="noreferrer noopener"&gt;Victory Chant&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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              <text>&lt;p&gt;afterwards&lt;/p&gt;
&lt;p&gt;on the beach in the surf alone&lt;/p&gt;
&lt;p&gt;were you on your knees in the muck&lt;/p&gt;
&lt;p&gt;and the lapping waves?&lt;/p&gt;
&lt;p&gt;were you fetal was there brine in your mouth&lt;/p&gt;
&lt;p&gt;was there salt you tried to retch out?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you try to slough your old body off&lt;/p&gt;
&lt;p&gt;in the wet sand&lt;/p&gt;
&lt;p&gt;did you wriggle like a fish in the mud&lt;/p&gt;
&lt;p&gt;did you shed skin and mucus and bile&lt;/p&gt;
&lt;p&gt;and phlegm and piss and pus&lt;/p&gt;
&lt;p&gt;did you feel the waves lap your toes like hot blood&lt;/p&gt;
&lt;p&gt;and run?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;and did you also look at your toes,&lt;/p&gt;
&lt;p&gt;still your toes but new&lt;/p&gt;
&lt;p&gt;your calves, legs&lt;/p&gt;
&lt;p&gt;did you look for blood under your nails&lt;/p&gt;
&lt;p&gt;and on your thighs and find none?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you look at little blond hairs trailing to black,&lt;/p&gt;
&lt;p&gt;did you run your palms over your belly&lt;/p&gt;
&lt;p&gt;and find a thicket&lt;/p&gt;
&lt;p&gt;did you press your fingers to your chest&lt;/p&gt;
&lt;p&gt;did you find your body like a whip uncoiling&lt;/p&gt;
&lt;p&gt;like a green shoot in spring&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you lie naked on soft moss&lt;/p&gt;
&lt;p&gt;did you hold your cock like a small and precious bird&lt;/p&gt;
&lt;p&gt;did you feel the rush of blood&lt;/p&gt;
&lt;p&gt;did you fuck your own hand til you came&lt;/p&gt;
&lt;p&gt;did you howl to hear your cavernous howl&lt;/p&gt;
&lt;p&gt;did you touch your sand-stubble face&lt;/p&gt;
&lt;p&gt;did you piss standing up to see how it felt&lt;/p&gt;
&lt;p&gt;did you shake your whole body like a dog in the sun?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Caeneus–&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;how did you come to fight the centaurs?&lt;/p&gt;
&lt;p&gt;and your invulnerable skin–&lt;/p&gt;
&lt;p&gt;did you think it a blessing at first,&lt;/p&gt;
&lt;p&gt;or did you know it was curse all along?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you test its limits and, finding none,&lt;/p&gt;
&lt;p&gt;did you lash yourself out in search of them?&lt;/p&gt;
&lt;p&gt;did you get in barroom brawls&lt;/p&gt;
&lt;p&gt;did you wait tensed all night in the dark,&lt;/p&gt;
&lt;p&gt;uncurl your coiled fists upon would-be-rapists&lt;/p&gt;
&lt;p&gt;like the wrath of no-god&lt;/p&gt;
&lt;p&gt;did you bar the door and snarl at shadows&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you try fucking and being fucked&lt;/p&gt;
&lt;p&gt;by women and men&lt;/p&gt;
&lt;p&gt;and did you crawl up inside your own body&lt;/p&gt;
&lt;p&gt;and put out the lights&lt;/p&gt;
&lt;p&gt;did you try this over and over and over and over&lt;/p&gt;
&lt;p&gt;and every time did your mind go blank&lt;/p&gt;
&lt;p&gt;like a quiet sea&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did your marble skin break and bleed and burn&lt;/p&gt;
&lt;p&gt;not on a spear’s point but at a lover’s caress and&lt;/p&gt;
&lt;p&gt;yet still crawl pink and whole&lt;/p&gt;
&lt;p&gt;upon your beautiful frame&lt;/p&gt;
&lt;p&gt;did your lovers tell you all they found in you was&lt;/p&gt;
&lt;p&gt;your ghost?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;did you read scholarly work&lt;/p&gt;
&lt;p&gt;on the science of fucking and being fucked,&lt;/p&gt;
&lt;p&gt;did you learn technical terms&lt;/p&gt;
&lt;p&gt;and statistics and acronyms&lt;/p&gt;
&lt;p&gt;and when that didn't fix you did you try poetry&lt;/p&gt;
&lt;p&gt;and when that didn't work&lt;/p&gt;
&lt;p&gt;did you go to war instead?&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/459" target="_blank" rel="noreferrer noopener"&gt;Mo Dole (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;&lt;em&gt;(Possible English pronunciation: Caeneus = “kye-nyoos”)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;From Ovid’s Metamorphoses, Book 12, trans. McCarter&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;⁂&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Caeneus was once a person named Caenis&lt;/p&gt;
&lt;p&gt;who was walking down the beach&lt;/p&gt;
&lt;p&gt;and was raped by Poseidon.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Afterward Poseidon said,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;     &lt;em&gt;        You may have one boon,&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             what do you wish?&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Replied the person formerly known as Caenis,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;             what you have done is so horrible&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             I never want it to be possible again&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;And,&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             make me a man.&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;And maybe those two things were related&lt;/p&gt;
&lt;p&gt;and maybe they weren’t.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;But Poseidon did so,&lt;/p&gt;
&lt;p&gt;and threw in invulnerable skin for free too.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Caenis changed his name to Caeneus&lt;/p&gt;
&lt;p&gt;and at first he was happy because&lt;/p&gt;
&lt;p&gt;fuck yeah,&lt;/p&gt;
&lt;p&gt;he’d been trying to save up for surgery,&lt;/p&gt;
&lt;p&gt;but it felt impossible.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Plus, ancient Greek doctors&lt;/p&gt;
&lt;p&gt;hadn’t quite perfected anesthesia,&lt;/p&gt;
&lt;p&gt;so it would’ve been fucking agony.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;And now here he was,&lt;/p&gt;
&lt;p&gt;a man&lt;/p&gt;
&lt;p&gt;no biweekly shots or scars or anything.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;But it also fucking sucked because, yeah,&lt;/p&gt;
&lt;p&gt;he’d been raped.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;And he really hadn’t processed that yet&lt;/p&gt;
&lt;p&gt;and was in fact trying&lt;/p&gt;
&lt;p&gt;very hard not to.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Also, the invulnerable skin,&lt;/p&gt;
&lt;p&gt;which he hadn’t even asked for,&lt;/p&gt;
&lt;p&gt;turned out to be a fucking bummer too.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Because to have,&lt;/p&gt;
&lt;p&gt;like,&lt;/p&gt;
&lt;p&gt;a good relationship with your own brand new body,&lt;/p&gt;
&lt;p&gt;or meaningful relationships with anyone else&lt;/p&gt;
&lt;p&gt;and &lt;em&gt;their&lt;/em&gt; body,&lt;/p&gt;
&lt;p&gt;you’ve got to be—surprise!—&lt;/p&gt;
&lt;p&gt;vulnerable!&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;And feeling vulnerable in an invulnerable body&lt;/p&gt;
&lt;p&gt;felt&lt;/p&gt;
&lt;p&gt;like&lt;/p&gt;
&lt;p&gt;shit.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It felt like his insides were trying to turn inside out&lt;/p&gt;
&lt;p&gt;any time anyone touched him.&lt;/p&gt;
&lt;p&gt;Even people he really cared about.&lt;/p&gt;
&lt;p&gt;People he wanted to touch him.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It felt like his thigh muscles had been replaced with&lt;/p&gt;
&lt;p&gt;overtight lyre strings&lt;/p&gt;
&lt;p&gt;and every touch just made them want to snap.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It felt like bugs crawling up and down his insides&lt;/p&gt;
&lt;p&gt;that he could never let out.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;He felt like a fucking alien.&lt;/p&gt;
&lt;p&gt;Who even &lt;em&gt;has&lt;/em&gt; these problems?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Why can't he just, like, be chill about it?&lt;/p&gt;
&lt;p&gt;The rape happened fucking years ago&lt;/p&gt;
&lt;p&gt;and the impenetrable skin thing could be cool, right?&lt;/p&gt;
&lt;p&gt;He could, I don’t know,&lt;/p&gt;
&lt;p&gt;go fight for the greater good or something.&lt;/p&gt;
&lt;p&gt;Do something cool and productive instead of&lt;/p&gt;
&lt;p&gt;moping around.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Anyway so he went around like this&lt;/p&gt;
&lt;p&gt;having kind of a bad time&lt;/p&gt;
&lt;p&gt;but also having kind of a good time,&lt;/p&gt;
&lt;p&gt;because being trans is cool&lt;/p&gt;
&lt;p&gt;and now he had a dick and no tits and stuff.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;So he went around having kind of a good time/&lt;/p&gt;
&lt;p&gt;kind of a bad time&lt;/p&gt;
&lt;p&gt;or maybe just having a regular time&lt;/p&gt;
&lt;p&gt;and then suddenly there he was&lt;/p&gt;
&lt;p&gt;at a battle against the centaurs.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;How’d he even get there? Who knows,&lt;/p&gt;
&lt;p&gt;but he’s there&lt;/p&gt;
&lt;p&gt;and he’s killed a bunch of centaurs already.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Originally this was someone’s wedding,&lt;/p&gt;
&lt;p&gt;but now everyone’s fighting.&lt;/p&gt;
&lt;p&gt;A centaur tried to rape the bride,&lt;/p&gt;
&lt;p&gt;and then a bunch of other centaurs saw that&lt;/p&gt;
&lt;p&gt;and just started snatching women up left and right.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Caeneus is trying not to think too hard about that.&lt;/p&gt;
&lt;p&gt;Or maybe he is thinking too hard about it&lt;/p&gt;
&lt;p&gt;and that's why he's been on such a killing spree.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Anyway, then one centaur named Laetreus&lt;/p&gt;
&lt;p&gt;who somehow knows his deadname&lt;/p&gt;
&lt;p&gt;comes up to him and says,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;             Caenis! You’re a fucking woman&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             and you always will be!&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             The only reason you’re this half-man now&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             is because you got raped!&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             Get back in the kitchen where you belong&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             and leave war to men!&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;While Laetreus is busy ranting,&lt;/p&gt;
&lt;p&gt;Caeneus throws a spear at him,&lt;/p&gt;
&lt;p&gt;gouges the centaur right below his belly button,&lt;/p&gt;
&lt;p&gt;along the seam where human and horse combine.&lt;/p&gt;
&lt;p&gt;It’s a very cool shot&lt;/p&gt;
&lt;p&gt;but it just pisses off Laetreus even more.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Laetreus tries to stab Caeneus with his spear&lt;/p&gt;
&lt;p&gt;but nothing happens.&lt;/p&gt;
&lt;p&gt;The blow rebounds off Caeneus’ impenetrable skin&lt;/p&gt;
&lt;p&gt;like hail off a rooftop–&lt;/p&gt;
&lt;p&gt;so Ovid says.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;So Laetreus tries a different tack&lt;/p&gt;
&lt;p&gt;and instead slashes at Caeneus’ groin.&lt;/p&gt;
&lt;p&gt;But his sword slams into Caeneus’ marble cock&lt;/p&gt;
&lt;p&gt;and shatters.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;At this point,&lt;/p&gt;
&lt;p&gt;maybe if Caeneus was a different person&lt;/p&gt;
&lt;p&gt;he’d think about how&lt;/p&gt;
&lt;p&gt;centaurs are seen as half-men&lt;/p&gt;
&lt;p&gt;like he is seen as half a man:&lt;/p&gt;
&lt;p&gt;community lost before it even got started—&lt;/p&gt;
&lt;p&gt;but he doesn’t think about that.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Caeneus says something snide like&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;             suck it transphobe&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;and just fucking guts him.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;The end of the story is this:&lt;/p&gt;
&lt;p&gt;Eventually the rest of the transphobic centaurs&lt;/p&gt;
&lt;p&gt;realize Caeneus is invulnerable to weapons,&lt;/p&gt;
&lt;p&gt;and decide to bury him under trees&lt;/p&gt;
&lt;p&gt;until he can’t move.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;This strategy works dismayingly well;&lt;/p&gt;
&lt;p&gt;at first Caeneus is gasping and wriggling to get out&lt;/p&gt;
&lt;p&gt;but eventually he goes still&lt;/p&gt;
&lt;p&gt;under a mountain of uprooted trees.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Some people think he was pushed all the way to Tartarus.&lt;/p&gt;
&lt;p&gt;Virgil, that prick, says that in Tartarus&lt;/p&gt;
&lt;p&gt;Caeneus got transformed back into a woman&lt;/p&gt;
&lt;p&gt;probably by a weird terf.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;But Mopsus, who was &lt;em&gt;actually&lt;/em&gt; at the battle,&lt;/p&gt;
&lt;p&gt;says he saw a gold bird fly out of the pile of trees,&lt;/p&gt;
&lt;p&gt;circle once,&lt;/p&gt;
&lt;p&gt;and then fly away. He greeted it,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;&lt;em&gt;             Hail Caeneus! The greatest man once&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;             —now a matchless bird!&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The End&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/459" target="_blank" rel="noreferrer noopener"&gt;Mo Dole (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;Mo lives in Shelton, WA with their partner, friends, and two elderly pets. They are a carpenter for their day job, and spend their free time reading Greek myths and queer sci-fi, nurturing new hyperfixations, and puttering around in the garage.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/460" target="_blank" rel="noreferrer noopener"&gt;Here is the Story of Caeneus:&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/461" target="_blank" rel="noreferrer noopener"&gt;Caeneus&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;An animal before he is a man, Sisyphus carries the rock on his shoulders,&lt;/p&gt;
&lt;p&gt;lays it down on the medi-plinth.&lt;/p&gt;
&lt;p&gt;Giving until gone, he is a priority specimen&lt;/p&gt;
&lt;p&gt;for the secret doctors underneath stadium seats,&lt;/p&gt;
&lt;p&gt;something about pith and oxidation.&lt;/p&gt;
&lt;p&gt;The roar of the crowd can’t remember whether up or down means&lt;/p&gt;
&lt;p&gt;he will be crushed under the weight of his own inability to figure out&lt;/p&gt;
&lt;p&gt;which notebook he wrote that phone number in,&lt;/p&gt;
&lt;p&gt;something about an oil slick from the pores and in the syringe,&lt;/p&gt;
&lt;p&gt;because there isn’t an answer.&lt;/p&gt;
&lt;p&gt;He is sliding back down the hill and into the stream, hands and ankles up.&lt;/p&gt;
&lt;p&gt;Filling and emptying, pushing and pulling, he exaggerates himself, thinking about rot,&lt;/p&gt;
&lt;p&gt;decomposition as a way of life. He is justifying his means of immortality&lt;/p&gt;
&lt;p&gt;on the grounds that peridot is fake, because periwinkle is a construct,&lt;/p&gt;
&lt;p&gt;and one cannot circle without accelerating inward. He is reaching upward,&lt;/p&gt;
&lt;p&gt;but keeps hitting the underside of the rink.&lt;/p&gt;
&lt;p&gt;He hears a ringing that could render him invisible.&lt;/p&gt;
&lt;p&gt;Sisyphus sits in the bathroom longer than he needs to, swallowing time, which is space.&lt;/p&gt;
&lt;p&gt;Surely he is facing the door by now, but his worst is not &lt;em&gt;the&lt;/em&gt; worst.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/446" target="_blank" rel="noreferrer noopener"&gt;Blue Jordan (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all authors who have contributed to the Anthology. To browse authors by identities, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Blue Jordan is a young queer person. They grew up in Eastern Washington and currently live in Seattle where they are writing a little and learning a lot. Waiting Room is their first published work. They love long walks on the beach and elsewhere, niche Seattle history rabbit holes, and dancing the Lindy Hop.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/447" target="_blank" rel="noreferrer noopener"&gt;Waiting Room&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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