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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;1.&lt;/p&gt;
&lt;p&gt;We all&lt;/p&gt;
&lt;p&gt;fall&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;out of cars when we’re three—&lt;/p&gt;
&lt;p&gt;when the excitement to climb down ourselves&lt;/p&gt;
&lt;p&gt;puts our center of gravity in front of our skill level,&lt;/p&gt;
&lt;p&gt;our little forehead in front of our feet,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;out of windows in Moscow&lt;/p&gt;
&lt;p&gt;for talking trash about Putin—&lt;/p&gt;
&lt;p&gt;and that’s why we don’t live in Moscow,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;off a bicycle at least once—&lt;/p&gt;
&lt;p&gt;it’s a rite of passage impossible to avoid.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We fall from grace no matter how hard we try,&lt;/p&gt;
&lt;p&gt;from pedestals too high—elevated by another’s need.&lt;/p&gt;
&lt;p&gt;We fall into the wrong crowd when our parents aren’t looking.&lt;/p&gt;
&lt;p&gt;We fall out of favor, out of fashion,&lt;/p&gt;
&lt;p&gt;or all over ourselves to prove a point.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We fall in love&lt;/p&gt;
&lt;p&gt;and out again;&lt;/p&gt;
&lt;p&gt;we fall apart&lt;/p&gt;
&lt;p&gt;and start again.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We might fall clipping a sandal toe on the edge of&lt;/p&gt;
&lt;p&gt;a sidewalk buckled from the heat&lt;/p&gt;
&lt;p&gt;or by slipping on black ice lying in wait under a dusting of snow,&lt;/p&gt;
&lt;p&gt;or we could lose our balance stubbing a tree root along the path—&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;a full-frontal faceplant.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Lots of bleeding, but&lt;/p&gt;
&lt;p&gt;by grace, the very same we fell from,&lt;/p&gt;
&lt;p&gt;nothing breaks—&lt;/p&gt;
&lt;p&gt;not a tooth, not a nose, not a lens in our brand-new designer glasses,&lt;/p&gt;
&lt;p&gt;nothing&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;except our confidence.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Blood pouring from our nose into our hands,&lt;/p&gt;
&lt;p&gt;dripping off our chin where a flap of skin now dangles,&lt;/p&gt;
&lt;p&gt;proceeds down the forearms in search of an elbow.&lt;/p&gt;
&lt;p&gt;We’re exercising every blood-stopping skill&lt;/p&gt;
&lt;p&gt;learned over years of practice—&lt;/p&gt;
&lt;p&gt;as a kid, with our children,&lt;/p&gt;
&lt;p&gt;for an aging parent unexpectedly fainting in the kitchen.&lt;/p&gt;
&lt;p&gt;Finally, the last drops fall.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We look as if we’ve just torn open a small animal&lt;/p&gt;
&lt;p&gt;with our bare hands&lt;/p&gt;
&lt;p&gt;and feasted on its heart for breakfast.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Disbelief gathers up presence of mind—&lt;/p&gt;
&lt;p&gt;we get up.&lt;/p&gt;
&lt;p&gt;Sheer determination steps in to escort us&lt;/p&gt;
&lt;p&gt;back to the car.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We don’t give a second thought to what’s happened&lt;/p&gt;
&lt;p&gt;to our confidence&lt;/p&gt;
&lt;p&gt;the confidence&lt;/p&gt;
&lt;p&gt;left lying in blood-soaked dirt&lt;/p&gt;
&lt;p&gt;no ceremony, not even a good-bye.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;2.&lt;/p&gt;
&lt;p&gt;Snow falls,&lt;/p&gt;
&lt;p&gt;leaves fall,&lt;/p&gt;
&lt;p&gt;water falls over a cliff.&lt;/p&gt;
&lt;p&gt;But unlike snowflakes,&lt;/p&gt;
&lt;p&gt;or leaves in autumn,&lt;/p&gt;
&lt;p&gt;or waterfalls diving into pools far below,&lt;/p&gt;
&lt;p&gt;we’re propelled by an intrepid resolve&lt;/p&gt;
&lt;p&gt;to get back up.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Falling off your bike at seven is a temporary setback&lt;/p&gt;
&lt;p&gt;on the road to mastering balance on ever bigger bikes.&lt;/p&gt;
&lt;p&gt;Falling face first at seventy is a turning point—a switchback&lt;/p&gt;
&lt;p&gt;where independence takes on hiking poles&lt;/p&gt;
&lt;p&gt;and Life Alerts dangling around our necks.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Ask the once free-flying, twirling snowflake how she feels&lt;/p&gt;
&lt;p&gt;ending her journey face-first, nestled in a snowdrift—&lt;/p&gt;
&lt;p&gt;each one with the only confidence they have left&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;they’ll never twirl like that again.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/729"&gt;Karen S Bonnell&lt;/a&gt;&lt;/p&gt;
&lt;p align="right"&gt;&lt;small&gt;&lt;em&gt;Photo credits: Mountain photo by Ainur Khakimov on Unsplash, Snowflake photo by Aaron Burden on Unsplash&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;</text>
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        <name>Author Tag: grandmother</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Sometimes poetry&lt;/p&gt;
&lt;p&gt;          tests my patience.&lt;/p&gt;
&lt;p&gt;Poets arranging words dragged in from other worlds&lt;/p&gt;
&lt;p&gt;as if taking dictation from alien nation heads of state,&lt;/p&gt;
&lt;p&gt;          prophets calling in&lt;/p&gt;
&lt;p&gt;spewing wisdom in an unfamiliar cadence,&lt;/p&gt;
&lt;p&gt;               order and disorder, symbols and signs.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Imagination forced to fill gaping holes—&lt;/p&gt;
&lt;p&gt;               a bridge too far, a channel too deep—&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;leaping the tracks from&lt;/p&gt;
&lt;p&gt;          one train of thought to another without warning.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;A novice, left alone at the station&lt;/p&gt;
&lt;p&gt;weighed down by carry-ons of confusion,&lt;/p&gt;
&lt;p&gt;exasperated, brow furrowed.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;          Listen with your eyes closed.&lt;/p&gt;
&lt;p&gt;Maybe magic ...&lt;/p&gt;
&lt;p&gt;          ... maybe madness.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Teacher, “Today we’ll study this text.”&lt;/p&gt;
&lt;p&gt;          Student, “But Rabbi, I don’t read Hebrew.”&lt;/p&gt;
&lt;p&gt;Teacher, “Your heart does.”&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/729"&gt;Karen S Bonnell&lt;/a&gt;&lt;/p&gt;
&lt;p align="right"&gt;&lt;small&gt;&lt;em&gt;Photo credit: Photo by Vadim Orlov on iStock&lt;/em&gt;&lt;/small&gt;&lt;/p&gt;</text>
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                <text>Learning a Foreign Language</text>
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              <text>&lt;p&gt;   &lt;em&gt;for Frank Gabrin, 3/31/20&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The City. Streets are empty now, like you always wished&lt;/p&gt;
&lt;p&gt;when you lived here, that month or so of summer&lt;/p&gt;
&lt;p&gt;with no tourists, if you could bear the urinous aroma&lt;/p&gt;
&lt;p&gt;of subway stations. Lofty buildings split sunrays&lt;/p&gt;
&lt;p&gt;into angel wings, while you longed for a sudden shower&lt;/p&gt;
&lt;p&gt;to cool things off. City where my friends died in droves&lt;/p&gt;
&lt;p&gt;in the nineties. Back then, it was jam-packed with yellow cabs&lt;/p&gt;
&lt;p&gt;&amp;amp; Doc Martins &amp;amp; Keith Haring. Bistro patrons&lt;/p&gt;
&lt;p&gt;spilled onto sidewalks at noon, sipping Bloody Marys. Sounds&lt;/p&gt;
&lt;p&gt;of yowling sirens, blaring hip-hop, what-do-we-want? demos,&lt;/p&gt;
&lt;p&gt;funeral dirges. Today, the city has deflated,&lt;/p&gt;
&lt;p&gt;and another gay man dies in his lover’s arms.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Originally Published at &lt;em&gt;HIV Here and Now&lt;/em&gt;, April 8, 2020&lt;/p&gt;
&lt;br /&gt;&lt;p align="right"&gt;— &lt;a href="https://waqueeranth.omeka.net/items/show/56"&gt;Risa Denenberg&lt;/a&gt;&lt;/p&gt;</text>
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              <text>death</text>
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        <name>Author Tag: Jewish</name>
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        <name>Author Tag: socialist</name>
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        <name>Content Notice: AIDS epidemic</name>
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                  <text>&lt;p&gt;This is a collection of all authors who have contributed to the Anthology. To browse authors by identities, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Risa Denenberg lives in Sequim, WA where she works as a nurse practitioner. She has published eight collections of poetry, most recently &lt;em&gt;Rain/Dweller&lt;/em&gt; (MoonPath Press, 2023) and is currently writing a memoir titled &lt;em&gt;Mother, Interrupted&lt;/em&gt;.&lt;/p&gt;</text>
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              <text>&lt;ul&gt;&lt;li&gt;&lt;a href="https://waqueeranth.omeka.net/items/show/57" target="_blank" rel="noreferrer noopener"&gt;ER Doc Dies in Husband's Arms&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</text>
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          <name>Region</name>
          <description>The region of Washington State in which the author lives or has lived.</description>
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              <text>Peninsula/Coastal</text>
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                <text>Risa Denenberg</text>
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        <name>Author Tag: anti-racist</name>
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        <name>Author Tag: grandmother</name>
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        <name>Author Tag: Jewish</name>
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        <name>Author Tag: lesbian</name>
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        <name>Author Tag: socialist</name>
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