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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Killing me will not save you&lt;/p&gt;
&lt;p&gt;Saving me will not kill you&lt;/p&gt;
&lt;p&gt;Without a choice we’ll be stagnate forever.&lt;/p&gt;
&lt;p&gt;We will never get out of this hell by just sitting there.&lt;/p&gt;
&lt;p&gt;Now tap on the wall&lt;/p&gt;
&lt;p&gt;Scream at me, just once, it's okay I promise.&lt;/p&gt;
&lt;p&gt;But you don't save me and you only almost kill me.&lt;/p&gt;
&lt;p&gt;Could we just be normal?&lt;/p&gt;
&lt;p&gt;Do something to let me know you're not dead inside.&lt;/p&gt;
&lt;p&gt;Your silence is deafening&lt;/p&gt;
&lt;p&gt;My screaming doesn't make you move&lt;/p&gt;
&lt;p&gt;Not even a twitch&lt;/p&gt;
&lt;p&gt;Please say something&lt;/p&gt;
&lt;p&gt;I don’t care if you hit me&lt;/p&gt;
&lt;p&gt;Just let me know your still in there.&lt;/p&gt;
&lt;p&gt;Please mom, just let me know your still there.&lt;/p&gt;
&lt;p&gt;I can’t hold on much longer.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/650" target="_blank" rel="noreferrer noopener"&gt;Hannah Cherry (they/them/it)&lt;/a&gt;&lt;/p&gt;</text>
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                <text>- Let me know -</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;I am because of families who crossed the Atlantic from Finland and Ireland&lt;/p&gt;
&lt;p&gt;I am because my great grandparents traveled in a wagon train from Kentucky to Washington and the child born along the way survived.&lt;/p&gt;
&lt;p&gt;I am because my mom's IUD failed&lt;/p&gt;
&lt;p&gt;I am because I am a survivor&lt;/p&gt;
&lt;p&gt;I am because I left abusive men and said, “Never again.”&lt;/p&gt;
&lt;p&gt;I am because I started to write my own script for my life&lt;/p&gt;
&lt;p&gt;I am because of the love I give to and receive from my children&lt;/p&gt;
&lt;p&gt;I am because of life’s yearning for more&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/302"&gt;Lyn Salazar (she/her)&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Lyn Salazar</text>
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        <name>Author Tag: demisexual</name>
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        <name>Author Tag: Educator</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;There used to be a person in this place.&lt;/p&gt;
&lt;p&gt;The traces of her linger: her taste, touch, smell.&lt;/p&gt;
&lt;p&gt;Everywhere I look, I see her face.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Upon the staircase where she used to pace,&lt;/p&gt;
&lt;p&gt;I feel her absence within begin to swell.&lt;/p&gt;
&lt;p&gt;There used to be a person in this place.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;In the mirrors where she wished for grace,&lt;/p&gt;
&lt;p&gt;I wondered if her wishes served her well.&lt;/p&gt;
&lt;p&gt;Everywhere I look, I see her face.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;In the parlor sits his picture lined in lace&lt;/p&gt;
&lt;p&gt;Presented so as to the unwise tell,&lt;/p&gt;
&lt;p&gt;“There used to be a person in this place.”&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Her mother cried when I came to replace&lt;/p&gt;
&lt;p&gt;Her sunshine boy, to send him to Hell.&lt;/p&gt;
&lt;p&gt;Everywhere I look, I see his face.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;His parents glare at me as if I deface&lt;/p&gt;
&lt;p&gt;Her memory with my visit to her cell.&lt;/p&gt;
&lt;p&gt;There used to be a person in this place.&lt;/p&gt;
&lt;p&gt;Everywhere I look, I see her face.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;— &lt;a href="https://waqueeranth.omeka.net/items/show/37"&gt;Gwendolyne Mitchell (she/her)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>lack of acceptance</text>
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                <text>(n. the fear of going home)</text>
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        <name>Author Tag: Buddhist</name>
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        <name>Author Tag: Jewish</name>
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        <name>Content Notice: lack of acceptance</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;A shriveled apricot pit passes through a tainted&lt;/p&gt;
&lt;p&gt;womb. With resolution it settles in soft clover&lt;/p&gt;
&lt;p&gt;And hammers itself slowly into dying life.&lt;/p&gt;
&lt;p&gt;Hands like a child touch sun worn skin and&lt;/p&gt;
&lt;p&gt;wonder. How many lives have you lived to get&lt;/p&gt;
&lt;p&gt;To this one? How many more until you forget&lt;/p&gt;
&lt;p&gt;April winds? I wish it was lovers hands&lt;/p&gt;
&lt;p&gt;That gently traced up peach fuzzed thighs. No&lt;/p&gt;
&lt;p&gt;longer named, no longer held, you are undefined&lt;/p&gt;
&lt;p&gt;but the birds shout clearer than ever.&lt;/p&gt;
&lt;p&gt;The bark beside you sings in a melody&lt;/p&gt;
&lt;p&gt;of shadow and light. Is it longing if you&lt;/p&gt;
&lt;p&gt;can’t spell their name? Transitory loneliness&lt;/p&gt;
&lt;p&gt;soon to pick up the pen. You are only&lt;/p&gt;
&lt;p&gt;marks on thin strips of birch. One&lt;/p&gt;
&lt;p&gt;day you’ll drink your fill and&lt;/p&gt;
&lt;p&gt;shit out a plum. Bright purple and orange&lt;/p&gt;
&lt;p&gt;dripping juice down their cheek, you are&lt;/p&gt;
&lt;p&gt;punctured&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/210"&gt;Moira Burkhart&lt;/a&gt;&lt;/p&gt;</text>
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              <text>sensuality</text>
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                <text>[A shriveled apricot pit passes through a tainted]</text>
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        <name>Author Tag: queer</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;I wanted to catch him because he was my father&lt;/p&gt;
&lt;p&gt;But he managed to squeeze between the rail and the fence anyway,&lt;/p&gt;
&lt;p&gt;Not noticing his image—whole—mirrored in the still water.&lt;/p&gt;
&lt;p&gt;His eyes were closed when he jumped&lt;/p&gt;
&lt;p&gt;And his thoughts went from tangled to clear.&lt;/p&gt;
&lt;p&gt;His body fell like a ladder falling away from the side of a building—slow—&lt;/p&gt;
&lt;p&gt;With his shoes leading the way&lt;/p&gt;
&lt;p&gt;To the steel grey blue below.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We did not find him for fourteen days.&lt;/p&gt;
&lt;p&gt;And even when we found him, we lost.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/214"&gt;Emily Irwin&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;the coral forest ghosted in sagas. in ghosted forest coral, the&lt;/p&gt;
&lt;p&gt;graveyard’s brittle twists level, twists brittle. graveyard’s&lt;/p&gt;
&lt;p&gt;ancient phalanges. rotator phalanges. ancient&lt;/p&gt;
&lt;p&gt;cracking bone spines wilting &amp;amp; deified &amp;amp; wilting, spines bone cracking.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;dotted pockets, oxygen. dewed oxygen pockets dotted&lt;/p&gt;
&lt;p&gt;petrified mollusks, empty husks rise sexes. rise husks empty mollusks. petrified&lt;/p&gt;
&lt;p&gt;in stasis. wet sediment. rotor sediment, wet stasis. in&lt;/p&gt;
&lt;p&gt;oceanic grave’s salty devived. salty grave’s oceanic&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;cacophony, slowing in noon. in slowing cacophony,&lt;/p&gt;
&lt;p&gt;the minuscule, the sea rat; thriving, it stots. it. thriving rat, sea the miniscule. the&lt;/p&gt;
&lt;p&gt;stretching muscle’s fibrous steets. fibrous muscle’s stretching&lt;/p&gt;
&lt;p&gt;silicone anole, the corpus severed, de-revered severed corpus, anole. silicone&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;flowing through graves. fin’s wispy alula, wispy fin’s graves through flowing&lt;/p&gt;
&lt;p&gt;specters. specter’s bioluminescent organs. tilt-lit organs, bioluminescent. specter’s specters.&lt;/p&gt;
&lt;p&gt;teeth gashing flesh made the blue redder. blue the made flesh. gashing teeth&lt;/p&gt;
&lt;p&gt;calibrating deteriorating coccyx. the reviver. the coccyx deteriorating, calibrating&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;blast radius, metal screams from oil spewing radar. oil spewing from metal, screams radius blast,&lt;/p&gt;
&lt;p&gt;liquifying mammals marine brains in qubit stats, qubit in brains. marine mammals liquifying&lt;/p&gt;
&lt;p&gt;swimming calves, obliterating milk rubbery teet, rubbery milk obliterating calves, swimming,&lt;/p&gt;
&lt;p&gt;liquifying. mammals marine brains. in qubit. stats qubit in brains marine. mammals liquifying.&lt;/p&gt;
&lt;p&gt;blast radius: metal screams from oil, spewing radar oil, spewing from metal screams radius blast&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;calibrating deteriorating. coccyx the reviver. the coccyx deteriorating. calibrating&lt;/p&gt;
&lt;p&gt;teeth gashing, flesh made. the blue: redder blue. the made flesh gashing teeth.&lt;/p&gt;
&lt;p&gt;specter’s specters bioluminescent. organs tilt-lit organs, bioluminescent specters. specters&lt;/p&gt;
&lt;p&gt;flowing through graves, fins. wispy alula, wispy fins, graves. through flowing&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;silicone: anole the corpus. severed. de-revered. severed. corpus: anole, silicone,&lt;/p&gt;
&lt;p&gt;stretching muscles fibrous steets. fibrous muscles stretching&lt;/p&gt;
&lt;p&gt;the minuscule. the sea rat thriving, it stots it. thriving rat sea, the miniscule. the&lt;/p&gt;
&lt;p&gt;cacophony slowing. in noon, in slowing, cacophony&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;oceanic, graves salty, devived salty, graves oceanic&lt;/p&gt;
&lt;p&gt;in stasis. wet sediment rotor. sediment wet, stasis in&lt;/p&gt;
&lt;p&gt;petrified mollusks, empty husks rise, sexes rise. husks empty, mollusks petrified.&lt;/p&gt;
&lt;p&gt;dotted pockets oxygen dewed. oxygen pockets dotted&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;cracking bone spines. wilting &amp;amp; deified. &amp;amp; wilting spines bone cracking&lt;/p&gt;
&lt;p&gt;ancient phalanges. rotator phalanges ancient&lt;/p&gt;
&lt;p&gt;graveyards. brittle twists level. twists brittle graveyards:&lt;/p&gt;
&lt;p&gt;the coral forest ghosted in sagas. in ghosted forest coral. the&lt;/p&gt;
&lt;br /&gt;&amp;lt;/&amp;gt; &lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/514" target="_blank" rel="noreferrer noopener"&gt;phoenix kai (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;                      &lt;em&gt;for M., 1989-2023&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;your teasing hunky ghost first showed up&lt;/p&gt;
&lt;p&gt;in high-femme gold &amp;amp; black&lt;/p&gt;
&lt;p&gt;blinking at me like a conspirator as&lt;/p&gt;
&lt;p&gt;E stirred his mojito ice &amp;amp; asked about old lovers&lt;/p&gt;
&lt;p&gt;air was sun-sugar sweet&lt;/p&gt;
&lt;p&gt;&amp;amp; later not even my discount Moroccan Peony prayer candle could resist you&lt;/p&gt;
&lt;p&gt;saying &lt;em&gt;prayer is for the sake of life&lt;/em&gt; (tap tap tap)&lt;/p&gt;
&lt;p&gt;saying &lt;em&gt;come get up &amp;amp; talk to me&lt;/em&gt; (tap tap tap)&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;                              *&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;                      &lt;em&gt;Pride&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;plum leaves in June thickness thick green&lt;/p&gt;
&lt;p&gt;charcuterie on a paper plate high heels on pavement&lt;/p&gt;
&lt;p&gt;mascara-dabbed napkin&lt;/p&gt;
&lt;p&gt;gowned votaries soaked with champagne-foam starlight&lt;/p&gt;
&lt;p&gt;their disguise is their essence&lt;/p&gt;
&lt;p&gt;at thirty-nine I stay soft sensitive &amp;amp; hungry as an anemone&lt;/p&gt;
&lt;p&gt;saying here it comes taste it     taste it here it comes&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;                              *&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;em&gt;                      for my students&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;every one of us a dragon rider&lt;/p&gt;
&lt;p&gt;in sunburnt jeans&lt;/p&gt;
&lt;p&gt;every one of us a plush tiger     plush panda     plush astronaut&lt;/p&gt;
&lt;p&gt;feeling forward into the heroic journey     spiraling up our frontal lobes&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;first time finding beauty betrays you     wants to eat through &amp;amp; discard you&lt;/p&gt;
&lt;p&gt;first time following our zodiac     softening the lid of starlight&lt;/p&gt;
&lt;p&gt;sky incised by through-lines     fingers stained with ink&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;                              *&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p&gt;                  &lt;em&gt;    fire season&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Day of breathing microparticulates&lt;/p&gt;
&lt;p&gt;turbid drifts&lt;/p&gt;
&lt;p&gt;the color of canned peaches&lt;/p&gt;
&lt;p&gt;color of the curtain between life &amp;amp; death&lt;/p&gt;
&lt;p&gt;25 times finer than a human hair&lt;/p&gt;
&lt;p&gt;my sad child logic &lt;em&gt;says go vegan&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;so as not to say &lt;em&gt;better to have never been born&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/284"&gt;Jay Aquinas Thompson&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;i&gt; from &lt;/i&gt; Summer Daybook</text>
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              <text>&lt;p&gt;Not all of us leave&lt;/p&gt;
&lt;p&gt;Escape is dreamy and romantic&lt;/p&gt;
&lt;p&gt;Some of us take test flights&lt;/p&gt;
&lt;p&gt;Attempts towards the Sun&lt;/p&gt;
&lt;p&gt;Crashland in the Sea&lt;/p&gt;
&lt;p&gt;We haunt our old back roads&lt;/p&gt;
&lt;p&gt;Dictate the pain to the shadows&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Headlights illuminate our faces&lt;/p&gt;
&lt;p&gt;As we round the blind turn home&lt;/p&gt;
&lt;p&gt;I still think about the boy who escaped&lt;/p&gt;
&lt;p&gt;Every time I drive past his house&lt;/p&gt;
&lt;p&gt;I ache when I near the backyard&lt;/p&gt;
&lt;p&gt;Of a night of ended friendship&lt;/p&gt;
&lt;p&gt;I follow the yellow lines&lt;/p&gt;
&lt;p&gt;To my current apartment&lt;/p&gt;
&lt;p&gt;About a half a mile away from the apartment where I slept behind the couch in middle school&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;There still aren't enough stop lights&lt;/p&gt;
&lt;p&gt;To keep me safe here&lt;/p&gt;
&lt;p&gt;But I know every route in and out of town&lt;/p&gt;
&lt;p&gt;I've planned my own heist&lt;/p&gt;
&lt;p&gt;Maybe one day someone will pull it off&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;— &lt;a href="https://waqueeranth.omeka.net/items/show/33"&gt;Alex Vigue (he/him)&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;Dictated speech to text December 11th 2022 8 years after moving home from college&lt;/span&gt;</text>
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              <text>&lt;p&gt;Two man-made ponds&lt;/p&gt;
&lt;p&gt;just outside of Brownsville / Halsey,&lt;/p&gt;
&lt;p&gt;ducks afloat in fog&lt;/p&gt;
&lt;p&gt;against a thousand baby pine&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;awaiting sun. I offer blood orange&lt;/p&gt;
&lt;p&gt;to a stranger on the bus&lt;/p&gt;
&lt;p&gt;who only moments ago&lt;/p&gt;
&lt;p&gt;kissed his brother on the mouth.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I’ve hung with rough boys&lt;/p&gt;
&lt;p&gt;long enough to know, I think to pray&lt;/p&gt;
&lt;p&gt;beneath the steeple&lt;/p&gt;
&lt;p&gt;of the First Presbyterian—&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;only because it is beautiful,&lt;/p&gt;
&lt;p&gt;as he was. Later, passing through&lt;/p&gt;
&lt;p&gt;Woodburn / Molalla,&lt;/p&gt;
&lt;p&gt;a hawk in a tip top branch,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;fields of young hazelnut,&lt;/p&gt;
&lt;p&gt;a yellow house, an old metal barn,&lt;/p&gt;
&lt;p&gt;miles of cattle grazing,&lt;/p&gt;
&lt;p&gt;more mature trees rising up,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;silhouettes against the mist&lt;/p&gt;
&lt;p&gt;where dot after white&lt;/p&gt;
&lt;p&gt;dot of sheep keep vigil—clouds&lt;/p&gt;
&lt;p&gt;with blue sky barely visible,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;breaking sun. Beyond Arndt Road,&lt;/p&gt;
&lt;p&gt;just outside of Tualatin,&lt;/p&gt;
&lt;p&gt;cherry blossoms bloom pink&lt;/p&gt;
&lt;p&gt;and white on the same goddam tree.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;em&gt;Previously published online in &lt;/em&gt;Stone of Madness Press&lt;em&gt;, December 2021.&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/587" target="_blank" rel="noreferrer noopener"&gt;Stephen Jackson&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;strong&gt;Blood Orange&lt;/strong&gt; [An Offering]</text>
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              <text>&lt;p&gt;One’s pinstriped pants&lt;/p&gt;
&lt;p&gt;right leg pulled up&lt;/p&gt;
&lt;p&gt;flesh of his calf&lt;/p&gt;
&lt;p&gt;exposed, and yet&lt;/p&gt;
&lt;p&gt;no bicycle in sight.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The white shirt&lt;/p&gt;
&lt;p&gt;designed in the style&lt;/p&gt;
&lt;p&gt;of Romeo, a Montague&lt;/p&gt;
&lt;p&gt;body sprawled&lt;/p&gt;
&lt;p&gt;in misty breaking light.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Next to him, similar&lt;/p&gt;
&lt;p&gt;in age and dress&lt;/p&gt;
&lt;p&gt;a boy in a Paisley shirt&lt;/p&gt;
&lt;p&gt;with tight maroon&lt;/p&gt;
&lt;p&gt;pants, unbuttoned.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;In dappled sun&lt;/p&gt;
&lt;p&gt;through leaves of&lt;/p&gt;
&lt;p&gt;a towering oak&lt;/p&gt;
&lt;p&gt;under which they sleep,&lt;/p&gt;
&lt;p&gt;two boys sleep.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Keep their secrets&lt;/p&gt;
&lt;p&gt;to themselves, who&lt;/p&gt;
&lt;p&gt;loves whom and&lt;/p&gt;
&lt;p&gt;whose heart swells&lt;/p&gt;
&lt;p&gt;for the other.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Biking past them&lt;/p&gt;
&lt;p&gt;on my way to coffee,&lt;/p&gt;
&lt;p&gt;I slow when I see them&lt;/p&gt;
&lt;p&gt;—as if in a dream,&lt;/p&gt;
&lt;p&gt;the dream they dream.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/587" target="_blank" rel="noreferrer noopener"&gt;Stephen Jackson&lt;/a&gt;&lt;/p&gt;
&lt;p align="right"&gt;&lt;em&gt;Previously published online in &lt;/em&gt;Allium, A Journal of Poetry &amp;amp; Prose&lt;em&gt;, May 2023.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;strong&gt;Two Boys&lt;/strong&gt; | Sleeping</text>
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              <text>&lt;p&gt;This mourning I took a wish stone and held it in my mouth&lt;/p&gt;
&lt;p&gt;weighing the viciousness of a world without you in it, Quintin.&lt;/p&gt;
&lt;p&gt;What does it mean us sparked aminos killing each other over&lt;/p&gt;
&lt;p&gt;killing each other; repetition so often nature’s loveliest the sweep&lt;/p&gt;
&lt;p&gt;of glaciers the same ripples in a child’s splash pad but this, this.&lt;/p&gt;
&lt;p&gt;I did not bury the stone your body I pushed it into the fist of a rose,&lt;/p&gt;
&lt;p&gt;rubbed it with rain, laid it to crown a bed of moss, overgrown,&lt;/p&gt;
&lt;p&gt;swallowing plastic: this morning’s prayer to swallow us all.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/192"&gt;Zoe Barker-Aderem&lt;/a&gt;&lt;/p&gt;</text>
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              <text>death</text>
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              <text>violence</text>
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                <text>052021</text>
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        <name>Author Tag: genderfluid</name>
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        <name>Author Tag: pansexual</name>
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        <name>Author Tag: queer</name>
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        <name>Content Notice: death</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;snake velvet arms around my nettled breasts, smear melted sugar glass&lt;/p&gt;
&lt;p&gt;over warm inches from the truth gleams like obsolescent adolescence half&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;spinal ladder chained between twisted venice lampposts, half boulevards built&lt;/p&gt;
&lt;p&gt;over to do lists: dust flushed creases between his rusted lung, her weathered ventricle.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;this collar diamond fountain drips lazy heaven into gullies grazed in toldyouso, wrinkled,&lt;/p&gt;
&lt;p&gt;sultry, the freshly bonded isotopes of tombstones pocked like cavities&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;around red lips, tuck steeples between the rungs of my back.&lt;/p&gt;
&lt;p&gt;this moon bonded in crushed silver and emerald spackled drywall&lt;/p&gt;
&lt;p&gt;i forget how to relate to my body:&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;bleed green access into absinthe glasses fogged by honeycomb, trickled&lt;/p&gt;
&lt;p&gt;air inside my curvature when it could have been moonshine, shoestring posture:&lt;/p&gt;
&lt;p&gt;i flex my back like aluminum and reflect crushed metal.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/673" target="_blank" rel="noreferrer noopener"&gt;Eliza Lynch (she/her)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;I’m leaving signs to point the way&lt;/p&gt;
&lt;p&gt;Radical affirmations of all that’s been unspoken&lt;/p&gt;
&lt;p&gt;Subversive gems in my art for future generations&lt;/p&gt;
&lt;p&gt;&amp;amp; most especially I'm here to point the way towards a future that is sure to be free and gender diverse like me&lt;/p&gt;
&lt;p&gt;For there have been countless ignorant lies perpetrated against us&lt;/p&gt;
&lt;p&gt;&amp;amp; we have been treading in its muck&lt;/p&gt;
&lt;p&gt;Since the Victorian era heaped curses upon us&lt;/p&gt;
&lt;p&gt;Dictating a code of life that is over a century outdated&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;But here, on my virtual cave walls, are some truths:&lt;/p&gt;
&lt;p&gt;&amp;amp; what is true is that the existence of your beautifully perfect trans body is an act of war&lt;/p&gt;
&lt;p&gt;Let me then write you, dear warriors who come after me,&lt;/p&gt;
&lt;p&gt;all my seeds for a better future&lt;/p&gt;
&lt;p&gt;Fold them into a letter I can tuck deep into your coat pockets&lt;/p&gt;
&lt;p&gt;I wish for all of you:&lt;/p&gt;
&lt;p&gt;Enough smooth roads ahead to keep you carrying on&lt;/p&gt;
&lt;p&gt;Because the terrain is sure to be rough &amp;amp; treacherous&lt;/p&gt;
&lt;p&gt;For there is a very long way&lt;/p&gt;
&lt;p&gt;Of undoing what has been done yet to go&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I wish for you:&lt;/p&gt;
&lt;p&gt;Someone&lt;/p&gt;
&lt;p&gt;Drawn to your beautifully perfect soul&lt;/p&gt;
&lt;p&gt;Who will call you:&lt;/p&gt;
&lt;p&gt;My sweet baby angel, My Prince, My precious chosen one&lt;/p&gt;
&lt;p&gt;&amp;amp; heap all the gender affirming praises that you were robbed of&lt;/p&gt;
&lt;p&gt;Since a doctor decided to raise you by your tiny helpless ankles&lt;/p&gt;
&lt;p&gt;And proclaim who you were&lt;/p&gt;
&lt;p&gt;One breath &amp;amp; an exhale before you even had a chance to cry your first battle cry&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Friends, I wish for you:&lt;/p&gt;
&lt;p&gt;Gentle forehead kisses&lt;/p&gt;
&lt;p&gt;Hair being swept off tear drenched faces&lt;/p&gt;
&lt;p&gt;A chosen family of beloveds who look thoughtfully&lt;/p&gt;
&lt;p&gt;Into your tired eyes&lt;/p&gt;
&lt;p&gt;Telling you a thousand times, A million times over&lt;/p&gt;
&lt;p&gt;Until the truth of it weighs so heavy&lt;/p&gt;
&lt;p&gt;It displaces all the falsehoods that have unwittingly&lt;/p&gt;
&lt;p&gt;Been fashioned into your burdens&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I wish for you to see:&lt;/p&gt;
&lt;p&gt;You are perfect, As you are&lt;/p&gt;
&lt;p&gt;A design brought into being by the old Gods&lt;/p&gt;
&lt;p&gt;&amp;amp; millennia before such lies&lt;/p&gt;
&lt;p&gt;(Which were never ours to take on)&lt;/p&gt;
&lt;p&gt;Were inflicted upon us&lt;/p&gt;
&lt;p&gt;Sweet trans children of tomorrow&lt;/p&gt;
&lt;p&gt;I wish for you a gentle hand&lt;/p&gt;
&lt;p&gt;Deserving of your vulnerability&lt;/p&gt;
&lt;p&gt;And I pray that life becomes so peaceful&lt;/p&gt;
&lt;p&gt;That you soon forget what it was like&lt;/p&gt;
&lt;p&gt;To flinch&lt;/p&gt;
&lt;p&gt;At every approach&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;I wish for you:&lt;/p&gt;
&lt;p&gt;Explosive full embodied joy&lt;/p&gt;
&lt;p&gt;As you look in the mirror &amp;amp; dance your ecstasy&lt;/p&gt;
&lt;p&gt;Moving in ways that no one dare dictate&lt;/p&gt;
&lt;p&gt;I send my wishes into the cosmos:&lt;/p&gt;
&lt;p&gt;An image of generations of trans bodies walking assured—&lt;/p&gt;
&lt;p&gt;Experiencing everything it means to be alive&lt;/p&gt;
&lt;p&gt;In their most perfect authentic expressions&lt;/p&gt;
&lt;p&gt;Affirmed&lt;/p&gt;
&lt;p&gt;&amp;amp; celebrating in all your innate wisdom&lt;/p&gt;
&lt;p&gt;The human&lt;/p&gt;
&lt;p&gt;You always knew to be&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;With every mark I leave,&lt;/p&gt;
&lt;p&gt;I plant seeds of hope that likely will never flourish until long past my allotted time&lt;/p&gt;
&lt;p&gt;&amp;amp; I wish I could set you free&lt;/p&gt;
&lt;p&gt;But most of all&lt;/p&gt;
&lt;p&gt;I wish for you shelter from doubting your worthiness&lt;/p&gt;
&lt;p&gt;&amp;amp; I wish for you to know&lt;/p&gt;
&lt;p&gt;How perfect&lt;/p&gt;
&lt;p&gt;How beautiful&lt;/p&gt;
&lt;p&gt;How complete&lt;/p&gt;
&lt;p&gt;How whole&lt;/p&gt;
&lt;p&gt;How exactly as the world has always needed&lt;/p&gt;
&lt;p&gt;Perfectly&lt;/p&gt;
&lt;p&gt;Authentically&lt;/p&gt;
&lt;p&gt;Magically&lt;/p&gt;
&lt;p&gt;2Spirit&lt;/p&gt;
&lt;p&gt;Transgender&lt;/p&gt;
&lt;p&gt;Intersex&lt;/p&gt;
&lt;p&gt;Gender diverse&lt;/p&gt;
&lt;p&gt;Genderless&lt;/p&gt;
&lt;p&gt;You&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/546" target="_blank" rel="noreferrer noopener"&gt;Trey E. Newday (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Push through the earth&lt;/p&gt;
&lt;p&gt;Split my skin&lt;/p&gt;
&lt;p&gt;And&lt;/p&gt;
&lt;p&gt;Bloom&lt;/p&gt;
&lt;p&gt;Into some strange creature&lt;/p&gt;
&lt;p&gt;That&lt;/p&gt;
&lt;p&gt;Eats the ripe fruits of the universe&lt;/p&gt;
&lt;p&gt;Heartlessly&lt;/p&gt;
&lt;p&gt;And&lt;/p&gt;
&lt;p&gt;Full&lt;/p&gt;
&lt;p&gt;Of rabid&lt;/p&gt;
&lt;p&gt;Shaking&lt;/p&gt;
&lt;p&gt;Sun Soaked&lt;/p&gt;
&lt;p&gt;Joy&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/402"&gt;Emmalee Steinman (she/they)&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Author Tag: bisexual</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;It was on a train between Paris and London. She was reading my favorite book and I the newest book by her favorite author, we agreed that this was clearly a case of a book recommending a person.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was on an airplane. Their nerves made them talk and my boredom made me listen. I held their hand and heard a detailed account of every relationship they had ever had, before I even knew their name.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was in play group. Our mothers would sip lattes, while we rolled around on the ground and pulled each other’s hair. All these years later we sip the lattes, otherwise not much has changed.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was at a convention, he was dressed as the Ninth Doctor and I Rose Tyler. He grabbed my hand and said “run” as he dragged me towards a TARDIS photo-op prop. How could I resist that?&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was a blind date set up by mutual friends. We ended up debating Russian literature, Marvel vs. DC, summer and winter, bread butter side up or butter side down, and American film all before dessert came.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was in a college. We had two classes together in a row. We always spent the walk between them chatting. They liked to keep me on my toes and never let me get away with easy answers.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;It was in a crowded coffee shop. The only seat left near an outlet was at the table where she was sitting. I boldly offered to get her a refill on her drink in exchange for the space at her table.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;All of these stories are true stories. They are just not my story.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;If a monkey typing for an infinite amount of time will someday produce Hamlet. It follows that infinite universes will produce all possible stories.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The truth is, I mostly just sleep on planes and trains. I never went to play group and have never been to a convention or on a blind date. College lies far behind me and I flee from crowded coffee shops.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The truth is, how we meet may be one of these, or none of these, or maybe we won’t meet at all.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;So in all this I remind myself that:&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;All fiction is memoir published in the wrong parallel universe.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/716" target="_blank" rel="noreferrer noopener"&gt;Sarah Beth Gumm they/she&lt;/a&gt;&lt;/p&gt;</text>
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                <text>7 True Stories of How We Didn't Meet</text>
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        <name>Author Tag: Asexual</name>
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        <name>Author Tag: bisexual</name>
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        <name>Author Tag: Christian</name>
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        <name>Author Tag: genderfluid</name>
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        <name>Author Tag: neurodivergent</name>
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        <name>Author Tag: queer</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;quite easy to sleep on a hill off&lt;/p&gt;
&lt;p&gt;utopia parkway in a summer one&lt;/p&gt;
&lt;p&gt;early june&lt;/p&gt;
&lt;p&gt;evening on a weedy sidewalk corner in the&lt;/p&gt;
&lt;p&gt;neighborhood– at dusk he said his name was&lt;/p&gt;
&lt;p&gt;sunset.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;usually i don’t spill over and&lt;/p&gt;
&lt;p&gt;reach into pockets for keys and&lt;/p&gt;
&lt;p&gt;good natured small talk&lt;/p&gt;
&lt;p&gt;even though it's all come and went,&lt;/p&gt;
&lt;p&gt;now tonight,&lt;/p&gt;
&lt;p&gt;thankfully, you forgave me.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;come one, come all&lt;/p&gt;
&lt;p&gt;and show us the&lt;/p&gt;
&lt;p&gt;ruckus we caused that&lt;/p&gt;
&lt;p&gt;evening and the fading light&lt;/p&gt;
&lt;p&gt;catching calvins&lt;/p&gt;
&lt;p&gt;on the floor of an apartment–&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;one we won’t feel again but&lt;/p&gt;
&lt;p&gt;one we’ll see so often,&lt;/p&gt;
&lt;p&gt;like vicente fernandez lyrics&lt;/p&gt;
&lt;p&gt;&lt;em&gt;ultimo beso?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;before the bus ran past my&lt;/p&gt;
&lt;p&gt;stop and i told you, &lt;em&gt;oye guapo&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;revisa your cremallera bro&lt;/em&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/117"&gt;Jacky Stephenson&lt;/a&gt;&lt;/p&gt;</text>
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              <text>sensuality</text>
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                <text>81-53 164th Street</text>
              </elementText>
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                <text>Jacky Stephenson</text>
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        <name>Author Tag: pansexual</name>
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        <name>Author Tag: queer</name>
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        <name>Content Notice: sensuality</name>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;A stoned fruit&lt;/p&gt;
&lt;p&gt;Apricots are mealy&lt;/p&gt;
&lt;p&gt;Plums don’t soften&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;so easy&lt;/p&gt;
&lt;p&gt;Their skin&lt;/p&gt;
&lt;p&gt;splits&lt;/p&gt;
&lt;p&gt;Rather&lt;/p&gt;
&lt;p&gt;than softens, Peaches have&lt;/p&gt;
&lt;p&gt;dimples&lt;/p&gt;
&lt;p&gt;and&lt;/p&gt;
&lt;p&gt;bruise easily&lt;/p&gt;
&lt;p&gt;I press&lt;/p&gt;
&lt;p&gt;one finger down&lt;/p&gt;
&lt;p&gt;On&lt;/p&gt;
&lt;p&gt;the speckles of pink&lt;/p&gt;
&lt;p&gt;red and&lt;/p&gt;
&lt;p&gt;purple dotting&lt;/p&gt;
&lt;p&gt;the skin, A faint,&lt;/p&gt;
&lt;p&gt;faint reminder of&lt;/p&gt;
&lt;p&gt;where&lt;/p&gt;
&lt;p&gt;you’ve been trading&lt;/p&gt;
&lt;p&gt;marks, brandished by&lt;/p&gt;
&lt;p&gt;teeth&lt;/p&gt;
&lt;p&gt;and lips&lt;/p&gt;
&lt;p&gt;A little forget me&lt;/p&gt;
&lt;p&gt;Not,&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;offerings worn and will&lt;/p&gt;
&lt;p&gt;fade, how delicious&lt;/p&gt;
&lt;p&gt;you taste as&lt;/p&gt;
&lt;p&gt;the juices&lt;/p&gt;
&lt;p&gt;flow, nothing&lt;/p&gt;
&lt;p&gt;Nothing so sweet&lt;/p&gt;
&lt;p&gt;As&lt;/p&gt;
&lt;p&gt;a peach between&lt;/p&gt;
&lt;p&gt;my teeth&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/465" target="_blank" rel="noreferrer noopener"&gt;Romy Blue&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;My mother ate plums so far left of ripe&lt;/p&gt;
&lt;p&gt;they made my eyes water if I bit into one.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Hard, barely any juice, tart and still crunchy,&lt;/p&gt;
&lt;p&gt;I’d persevere through the fruit so we didn’t waste,&lt;/p&gt;
&lt;p&gt;so I could be like her:&lt;/p&gt;
&lt;p&gt;seeking pain,&lt;/p&gt;
&lt;p&gt;denying herself anything sweet,&lt;/p&gt;
&lt;p&gt;refusing to allow anything soft into her realm,&lt;/p&gt;
&lt;p&gt;except me.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;A punishment of plums.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;We arrive home to a gallon Ziploc of&lt;/p&gt;
&lt;p&gt;plums from a neighbor, nearly bursting with ripeness,&lt;/p&gt;
&lt;p&gt;the skins eking their hold on the flesh&lt;/p&gt;
&lt;p&gt;sweet, running with flavor so luscious it streams&lt;/p&gt;
&lt;p&gt;right down my chin and into the sink as I take bites.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Now, I eat the overripe plums so we don’t waste,&lt;/p&gt;
&lt;p&gt;so my daughter can have the sweet, but not runny fruit:&lt;/p&gt;
&lt;p&gt;seeking joy,&lt;/p&gt;
&lt;p&gt;denying myself anything unjust,&lt;/p&gt;
&lt;p&gt;refusing to allow anything cruel into my realm,&lt;/p&gt;
&lt;p&gt;except truth.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;A pleasure of plums.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/625" target="_blank" rel="noreferrer noopener"&gt;Carrie Sanford (she/her)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;sitting down and trying to write a poem about queerness.&lt;/p&gt;
&lt;p&gt;certainly, it could go on forever&lt;/p&gt;
&lt;p&gt;and change&lt;/p&gt;
&lt;p&gt;and be entirely the same.&lt;/p&gt;
&lt;p&gt;declare its own names,&lt;/p&gt;
&lt;p&gt;and give itself to the world.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;certainly, it’s an old poem.&lt;/p&gt;
&lt;p&gt;the words are reused&lt;/p&gt;
&lt;p&gt;and always new&lt;/p&gt;
&lt;p&gt;and vast&lt;/p&gt;
&lt;p&gt;and joyous&lt;/p&gt;
&lt;p&gt;and fruitful.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;certainly, none of us are&lt;/p&gt;
&lt;p&gt;able to control&lt;/p&gt;
&lt;p&gt;the reckless and fragile&lt;/p&gt;
&lt;p&gt;creature of love.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;certainly, we all know&lt;/p&gt;
&lt;p&gt;that exact creature.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;certainly, my poem about queerness is a love poem too:&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;             what a joy&lt;/p&gt;
&lt;p&gt;             it is to stare into someone’s eyes&lt;/p&gt;
&lt;p&gt;             just to see them staring back into yours&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;             oh, how blessed&lt;/p&gt;
&lt;p&gt;             is my flesh&lt;/p&gt;
&lt;p&gt;             to have come to know&lt;/p&gt;
&lt;p&gt;             the tender flesh&lt;/p&gt;
&lt;p&gt;             that’s yours.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;             what a remarkable thing&lt;/p&gt;
&lt;p&gt;             to be in love&lt;/p&gt;
&lt;p&gt;             like wine and music and a soft afternoon.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;but my poem on queerness is a poem of giving too.&lt;/p&gt;
&lt;p&gt;if not giving, being here.&lt;/p&gt;
&lt;p&gt;breathing and bleeding&lt;/p&gt;
&lt;p&gt;singing and crying&lt;/p&gt;
&lt;p&gt;loving and loving and loving.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;my poem on queerness is turning out,&lt;/p&gt;
&lt;p&gt;and is breathing on its own.&lt;/p&gt;
&lt;p&gt;             look, the trees are singing!&lt;/p&gt;
&lt;p&gt;             the majesty of the pine&lt;/p&gt;
&lt;p&gt;             spindles for hands&lt;/p&gt;
&lt;p&gt;             it reaches out forever&lt;/p&gt;
&lt;p&gt;             and always has enough.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;             o’ nature, great symphony&lt;/p&gt;
&lt;p&gt;             the world truly is a song.&lt;/p&gt;
&lt;p&gt;             and if music be the food of love, play on,&lt;/p&gt;
&lt;p&gt;             or whatever shakespeare said&lt;/p&gt;
&lt;p&gt;             500 years ago&lt;/p&gt;
&lt;p&gt;             about 500 years ago.&lt;/p&gt;
&lt;p&gt;             it was true then and then,&lt;/p&gt;
&lt;p&gt;             and now and now.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;my poem on queerness knows two things:&lt;/p&gt;
&lt;p&gt;we are here to&lt;/p&gt;
&lt;p&gt;grow and change,&lt;/p&gt;
&lt;p&gt;and reach out in abundance.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;and we are here until we aren’t.&lt;/p&gt;
&lt;p&gt;but meanwhile&lt;/p&gt;
&lt;p&gt;love and time.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/576" target="_blank" rel="noreferrer noopener"&gt;madi mah-rhodes&lt;/a&gt;&lt;/p&gt;</text>
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                <text>a poem about queerness</text>
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              <text>&lt;p&gt;My son spent the better part of today&lt;/p&gt;
&lt;p&gt;following people on TikTok whose usernames&lt;/p&gt;
&lt;p&gt;recreate the lyrics of Rick Astley’s 1987 hit&lt;/p&gt;
&lt;p&gt;“Never Gonna Give You Up.” There is,&lt;/p&gt;
&lt;p&gt;of course, so much to say about this –&lt;/p&gt;
&lt;p&gt;the jolt of satisfaction he must feel when,&lt;/p&gt;
&lt;p&gt;for example, he finds someone whose name is&lt;/p&gt;
&lt;p&gt;&lt;em&gt;and&lt;/em&gt; or &lt;em&gt;to&lt;/em&gt;. It is, perhaps, not so very different&lt;/p&gt;
&lt;p&gt;from what I feel now writing these lines. But here&lt;/p&gt;
&lt;p&gt;is the part that’s not in the parenting books, how&lt;/p&gt;
&lt;p&gt;when he walks into the kitchen to show you&lt;/p&gt;
&lt;p&gt;how many he’s found so far, and you’re trying&lt;/p&gt;
&lt;p&gt;to make dinner but the dog is barking because&lt;/p&gt;
&lt;p&gt;there’s an Amazon guy on the porch&lt;/p&gt;
&lt;p&gt;you don’t ask why, you don’t say &lt;em&gt;Good lord&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;go read a book&lt;/em&gt;. Instead you tell yourself&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Plant your feet, stay&lt;/em&gt; as he towers over you now&lt;/p&gt;
&lt;p&gt;from behind and holds his phone over&lt;/p&gt;
&lt;p&gt;your shoulder to show you, and then&lt;/p&gt;
&lt;p&gt;leans his head against your head, relaxes&lt;/p&gt;
&lt;p&gt;his body against your body, until it becomes&lt;/p&gt;
&lt;p&gt;a joke, of course, you’re making each other&lt;/p&gt;
&lt;p&gt;fall now, and finally you have to say &lt;em&gt;OK stop&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;I need to make this spaghetti&lt;/em&gt;. But for those&lt;/p&gt;
&lt;p&gt;few moments it was as if an animal&lt;/p&gt;
&lt;p&gt;had wandered out of the woods and into&lt;/p&gt;
&lt;p&gt;your kitchen, a moose perhaps, partially&lt;/p&gt;
&lt;p&gt;domesticated, a moose in a hoodie, and placed&lt;/p&gt;
&lt;p&gt;his snout over the fence of your shoulder,&lt;/p&gt;
&lt;p&gt;his breath warm, fur soft, smell moosey,&lt;/p&gt;
&lt;p&gt;before ambling away to find his kind.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/204"&gt;Bill Hollands (he/him)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;for wolf girls there’s a road ahead&lt;/p&gt;
&lt;p&gt;and one behind too,&lt;/p&gt;
&lt;p&gt;so how to sort these contorting spaces&lt;/p&gt;
&lt;p&gt;that forget her heart.&lt;/p&gt;
&lt;p&gt;trashed wolf blood , left out for&lt;/p&gt;
&lt;p&gt;craves + torned tongues.&lt;/p&gt;
&lt;p&gt;what means the hollows when a voice is none. dripping water , drip , drip,&lt;/p&gt;
&lt;p&gt;alone the wolves sit. in the world&lt;/p&gt;
&lt;p&gt;that despises, less among the smiles are the eyes.&lt;/p&gt;
&lt;p&gt;the eyes that tell,&lt;/p&gt;
&lt;p&gt;the eyes that shape.&lt;/p&gt;
&lt;p&gt;yet everything can change. will change.&lt;/p&gt;
&lt;p&gt;does she forget her power:&lt;/p&gt;
&lt;p&gt;“a lilly blooms!”,&lt;/p&gt;
&lt;p&gt;sings the wolf,&lt;/p&gt;
&lt;p&gt;“with honey dripping flowers!”&lt;/p&gt;
&lt;p&gt;howling home,&lt;/p&gt;
&lt;p&gt;“does your body&lt;/p&gt;
&lt;p&gt;leak its petals?”,&lt;/p&gt;
&lt;p&gt;does the sound emerge?&lt;/p&gt;
&lt;p&gt;do untethered tongues grow?&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/617" target="_blank" rel="noreferrer noopener"&gt;tally&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;anything you say, do, or think, can and will&lt;/p&gt;
&lt;p&gt;be used against you in the&lt;/p&gt;
&lt;p&gt;court of God.&lt;/p&gt;
&lt;p&gt;don’t think that you can ever&lt;/p&gt;
&lt;p&gt;escape, because this&lt;/p&gt;
&lt;p&gt;feeling will follow you for&lt;/p&gt;
&lt;p&gt;generations, will&lt;/p&gt;
&lt;p&gt;haunt you as long as you live.&lt;/p&gt;
&lt;p&gt;i am so sorry. remember&lt;/p&gt;
&lt;p&gt;“jesus loves you”, even though that sounds like a lie when they talk. so,&lt;/p&gt;
&lt;p&gt;knit your web of lies, and&lt;/p&gt;
&lt;p&gt;let it protect you from their&lt;/p&gt;
&lt;p&gt;malice. because some day&lt;/p&gt;
&lt;p&gt;nothing they said will matter anymore.&lt;/p&gt;
&lt;p&gt;one morning, you will wake up,&lt;/p&gt;
&lt;p&gt;proud of who you are,&lt;/p&gt;
&lt;p&gt;quiet and strong and&lt;/p&gt;
&lt;p&gt;ready to fight (or move on—if you’re better than me).&lt;/p&gt;
&lt;p&gt;sin is just a word, and perhaps&lt;/p&gt;
&lt;p&gt;tomorrow you will find that everything, everywhere, the entire&lt;/p&gt;
&lt;p&gt;universe—is yours for the taking.&lt;/p&gt;
&lt;p&gt;vehement hatred will only take them so far,&lt;/p&gt;
&lt;p&gt;when their godliness is built on a foundation of sand, like the&lt;/p&gt;
&lt;p&gt;xeric desert their faith is.&lt;/p&gt;
&lt;p&gt;You are a God unto yourself, and one day, they instead will burn in the heat of Your&lt;/p&gt;
&lt;p&gt;zeal.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;— &lt;a href="https://waqueeranth.omeka.net/items/show/44"&gt;Niko P. (they/them)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;I’ve been told my hands look like a child’s: too short nails, dirt stained, thin. I hate the sound of paper bags being ripped. My earliest memory is my mother telling me my job was to look after my brother and protect him; I was in kindergarten. My table is consumed by repurposed egg cartons filled with basil and sage, carnations and zinnias, just starting to emerge. My mom told me, &lt;em&gt;You hate me because you are me&lt;/em&gt;, and I have never forgotten the rage and fear I felt in that parking lot. I avoid eye contact when I’m about to cry. My dog taught me I’m anxious-preoccupied. I don’t know when the grief will end. But did you see the great basin violets in the mountains last night?! My middle name is Johnna, like John with an “a”–&lt;em&gt;because if you were a boy, you would have been named John after my grandfather&lt;/em&gt;. In second grade I got in trouble for holding the new student’s hand when I thought she didn’t understand where to go; her mom came to school the next day to report to the teacher that I made her daughter uncomfortable. I can’t begin to count the number of times I learned that I couldn’t be loved and gay. My sister calls me Winnie, like Winnie the Pooh, and I call her Poopoo because our young selves declared we’d be forever inseparable, so we split a whole name into two and each adorned a part of it to ourselves to prove it. I call the blonde streaks in my hair sun kisses; losing the sun was the second hardest thing about shaving my head. I have a tendency to stay in a room with the fire alarm blaring a little too long. What I love most about my name is the way it sounds when my brother and sister say it. The first time I heard the word queer it was defined to me as &lt;em&gt;peculiar, odd&lt;/em&gt;; the second time: &lt;em&gt;fuck you&lt;/em&gt;. I have scars on almost every part of my body. I swim with my eyes closed because I’m terrified of what I see when I open my eyes underwater. When my partner talks about having kids, I worry about all that I might pass on to an unconsenting party. My house is full of spice jars with saved seeds from my garden and dried flower bouquets hanging on a long string of lights. I spend my days tending the land; my hands are teaching me that I can grow something other than pain.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/321"&gt;Lindsey Hand (they/she)&lt;/a&gt;&lt;/p&gt;</text>
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              <text>lack of acceptance</text>
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              <text>swearing</text>
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                <text>about me</text>
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              <text>&lt;p&gt;The swallows are singing,&lt;/p&gt;
&lt;p&gt;But mother is screaming,&lt;/p&gt;
&lt;p&gt;Because I am not the same.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The tree branches are swinging,&lt;/p&gt;
&lt;p&gt;My ears are ringing,&lt;/p&gt;
&lt;p&gt;“I’m sorry that I’m AroAce”&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The sun is shining,&lt;/p&gt;
&lt;p&gt;But I can’t help my crying,&lt;/p&gt;
&lt;p&gt;When she told me to go away.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;The flowers are blooming,&lt;/p&gt;
&lt;p&gt;My mother is fuming,&lt;/p&gt;
&lt;p&gt;I stand with my vulnerability on display.&lt;/p&gt;
&lt;br /&gt;&lt;p&gt;Unacceptance is looming,&lt;/p&gt;
&lt;p&gt;My psyche consumes me,&lt;/p&gt;
&lt;p&gt;What a beautiful day.&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a&gt;Anonymous&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Accept the unaccepted</text>
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                  <text>&lt;p&gt;This is a collection of all poems currently available to read in the Anthology. To browse poems by author identity tags, &lt;a href="https://waqueeranth.omeka.net/tag-index" target="_blank" rel="noreferrer noopener"&gt;visit the tag index&lt;/a&gt; or &lt;a href="https://waqueeranth.omeka.net/items/search" target="_blank" rel="noreferrer noopener"&gt;try our advanced search&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;p&gt;It’s so dang exhausting&lt;/p&gt;
&lt;p&gt;Like a faucet dripping&lt;/p&gt;
&lt;p&gt;Most days it taps on my head&lt;/p&gt;
&lt;p&gt;Drip&lt;/p&gt;
&lt;p&gt;Drip&lt;/p&gt;
&lt;p&gt;Drip&lt;/p&gt;
&lt;p&gt;And I ignore it&lt;/p&gt;
&lt;p&gt;Tune it out&lt;/p&gt;
&lt;p&gt;I’ll go insane if I don’t&lt;/p&gt;
&lt;p&gt;But then&lt;/p&gt;
&lt;p&gt;There are some days&lt;/p&gt;
&lt;p&gt;Where I just&lt;/p&gt;
&lt;p&gt;Can’t&lt;/p&gt;
&lt;p&gt;Stand&lt;/p&gt;
&lt;p&gt;Listening&lt;/p&gt;
&lt;p&gt;The dripping sounds like a torrent, an assault flooding my brain&lt;/p&gt;
&lt;p&gt;But when I cry in pain&lt;/p&gt;
&lt;p&gt;All I get is, “Don’t you love the rain?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Asexuality in a Sexual World&lt;/strong&gt;&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt;&lt;p align="right"&gt;—&lt;a href="https://waqueeranth.omeka.net/items/show/132"&gt;Lynn Mathews&lt;/a&gt;&lt;/p&gt;</text>
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      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="162">
        <name>Content Notice: lack of acceptance</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
